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Preface - Electronic Poetry Center

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From: John Cayley<br />

Subject: Experiments<br />

I’ve read through and felt challenged by the experiwhat? discussions on and off<br />

for some time now. Yes, it is quite wrong to fall into the trap of using the word<br />

glibly. Still, metaphors are there precisely to extend the range of words, to<br />

allow us to use them where they both do and do not signify what we previously<br />

agreed they signified.<br />

I produce texts based on procedures and algorithms similar to those in Charles<br />

B’s splendid list. The use of such procedures is of course not new, but in this<br />

(the network) context we should be much more aware of the tools now<br />

available which allow us to make literary experiments using such techniques in<br />

‘real time’. Until recently we’ve known about these procedures and when<br />

we’ve felt ludic we’ve sat down with siccors and paste. Now, with a little more<br />

trouble, you can learn a simple programming language and do the same. But<br />

once you’ve done this, the process of compostion, perhaps of writing itself has<br />

shifted to a new site. With a machine I can get feedback from the results of my<br />

procedures quick enough to adjust them according to non-arbitrary criteria. I<br />

can make my algorithms ‘learn’ more about the given texts and/or my<br />

responses to them. I can re-write the given texts so that they are better<br />

modulated by the algorithms. This is similar to experimental processes, isn’t it?<br />

Finally, and importantly, I can provide suitably equipped readers with as-ithappens-but-never-the-same-twice<br />

performances of the procedures which they<br />

can ‘read’ on their own screens.<br />

>Don Byrd wrote:<br />

> After a certain point, chaos no longer needed the help of art. To recall<br />

> wild nature in tranquility, to practice nihilistic techniques of art and<br />

> thought, to do automatic writing, or to create chance generated art is a<br />

> pointless gesture.<br />

All I can say is why so? I do not feel that I am making a pointless gesture. Even<br />

if all that was obtainable from such procedures was a more liberated approach<br />

to the literary experience, they would still be worthwhile. Personally I believe

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