Preface - Electronic Poetry Center

More documents

Recommendations

Info

From: Pierre Joris Subject: Pound, fascism, etc. Bravo for Jerry’s & Jackson’s messages re Pound: they should lay that question to rest or at least make it clear that one cannot dismiss work of the order of Pound’s because of the man’s failings. I was about to post Julian Beck’s poem, when Jerry did so, as that poem embodies for me the kind of vigilance we should all strive for, as citizens & writers. Olson said, liberatingly, that space / geography is the essential characteristic of the US, but the unhappy concommittant seems to be a flattening out of history: from the various messages re Pound I get a strong sense of a lack of historical perspective – as if all events were synchronic – so that hindsight gets construed as clarity of vision – & used to condemn those who in their time, the twenties & the thirties, in this case, messed up, aligning themselves with what they percieved as revolutionary positions – on the right & on the left – which both ended in totalitarianisms. ’nuff said, except that for those interested I’d like to point to a few books that can help clarify matters (unhappily as far as I’m aware, they are not translated into English yet): Jean-Pierre Faye’s masterful "Langages Totalitaires" (Hermann, Paris 1973): an analysis of how the discursive modes of national-socialism/ nazism came about, evolved from the various strains of nationalist, socialist, jungdeutsch & many other discourses. A historical semantics that should interest any poet. Zeev Sternhell, Ni Droite, Ni Gauche: L’ideologie Fasciste en France (Editions du Seuil, 1983, reprinted 1987 by Editions Complexe) There are a number of Sternhell’s essays available in English, for ex. "Fascist ideology," in Walter Laqueur, ed. Fascism: A Reader’s Guide (UCP, Berkeley 1976).See also his book La Droite Revolutionnaire: Les origines francaises du fascisme 1885- 1914 (Seuil 1984). In the 1930s George Bataille spoke of "the fascist temptation" that the intellectuals & artist of his time had to contend with: some of his work (like the essay on the prefix "sur") are essential reading. Important also is the work done & ongoing around Maurice Blanchot’s 30s antisemitic writings (Jeffrey Mehlman’s Legacies of Anti-Semitism in France; Alice Yaeger Kaplan’s
Reproductions of Banality: Fascism, Literature, and French intellectual life,among others, are important to get a grasp on that period). As we approach the millennium, making this century "history," we have to keep worrying it, we have to try to understand not only what went wrong, but why & how. It’s not a question of either forgetting or forgiving what has happened: we must neither forget nor forgive anything that happened.
Page 1 and 2:
Preface Above the world-weary horiz
Page 3 and 4:
of 750 subscribers. Because of the
Page 5 and 6:
Introduction In a world where every
Page 7 and 8:
But the "good old days" have passed
Page 9 and 10:
Coeval with . . . to Ghosts vs. Mar
Page 11 and 12:
From: Kevin Killian Subject: Carla
Page 13 and 14:
If there’s one thing Harry learne
Page 15 and 16:
The conservatism in this country co
Page 17 and 18:
arts the mainstream is-and over the
Page 19 and 20:
University of Auckland, is convenor
Page 21 and 22:
less literate is implied by that "m
Page 23 and 24:
What I am bothered about in these r
Page 25 and 26:
From: Dodie Bellamy Subject: Breaki
Page 27 and 28:
characterization of some the struct
Page 29 and 30:
This is not so much ingratiation of
Page 31 and 32:
My reconstruction of the argument i
Page 33 and 34:
into the poetic. And I am wondering
Page 35 and 36:
From: Patrick Phillips Subject: The
Page 37 and 38:
ideology which contorts the referen
Page 39 and 40:
disparaging Reznikoff-while preserv
Page 41 and 42:
intervention). Though I can anticip
Page 43 and 44:
eturns, repetitions, etc., is perme
Page 45 and 46:
From: Benjamin Friedlander Subject:
Page 47 and 48:
shrewd, often polemical presence of
Page 49 and 50:
eadings, recognition. Being inside,
Page 51 and 52:
If I resist the idea of a literary
Page 53 and 54:
From: Susan Schultz Subject: Commun
Page 55 and 56:
From: Patrick Phillips Subject: The
Page 57 and 58:
From: Steve Evans Subject: the soci
Page 59 and 60:
The tradition of the oppressed teac
Page 61 and 62:
My wobble is social, not theoretica
Page 63 and 64:
From: Dodie Bellamy Subject: Spicer
Page 65 and 66:
From: Dodie Bellamy Subject: Re: Gh
Page 67 and 68:
Hermit Crabs Don’t Cry to Politic
Page 69 and 70:
From: Robert Creeley Subject: Chick
Page 71 and 72:
From: Jed Rasula Subject: Re: Olson
Page 73 and 74:
BED… (P.S. Just in Baltimore and
Page 75 and 76:
From: Ron Silliman Subject: Motivat
Page 77 and 78:
From: Steve Evans Subject: Motives
Page 79 and 80:
past year or so, despite the fact t
Page 81 and 82:
It seems clear to me that some of t
Page 83 and 84:
To clarify one general point in clo
Page 85 and 86:
the most "out there" manifesto we
Page 87 and 88:
Actually, the question of age is a
Page 89 and 90:
indulges in "increasingly modest fo
Page 91 and 92:
From: Tony Green Subject: calling G
Page 93 and 94:
From: Ron Silliman Subject: Flaming
Page 95 and 96:
parataxis, collage, sonnets, whatev
Page 97 and 98:
From: Larry Price Subject: Anachron
Page 99 and 100:
From: Ron Silliman Subject: Exile o
Page 101 and 102:
From: Paul Hoover Subject: politics
Page 103 and 104:
From: Aldon L. Nielsen Subject: lat
Page 105 and 106:
Every site glides away toward absen
Page 107 and 108:
Certain aspects of desire were regi
Page 109 and 110:
whatever chaotic way) offer the abi
Page 111 and 112:
From: Susan Schultz Subject: notes
Page 113 and 114:
mouth, thick with money and piety a
Page 115 and 116:
From: Steve Evans Subject: Shake Th
Page 117 and 118:
From: Susan Schultz Subject: haoles
Page 119 and 120:
From: Ron Silliman Subject: Univers
Page 121 and 122:
From: Steve Evans Subject: Universa
Page 123 and 124:
From: James Sherry Subject: Re: Uni
Page 125 and 126:
From: Wystan Curnow Subject: Re-Aca
Page 127 and 128:
From: John Cayley Subject: Experime
Page 129 and 130:
From: Marisa A Januzzi Subject: dis
Page 131 and 132:
Two senses of disorder, as also man
Page 133 and 134:
At its best, Language poetry never
Page 135 and 136:
hymed couplets I’ll be a langpo w
Page 137 and 138:
From: Leslie Scalapino Subject: Re:
Page 139 and 140:
From: Tom Mandel Subject: Re: apex
Page 141 and 142:
From: Marjorie Perloff Subject: Re:
Page 143 and 144:
language fails to describe their ex
Page 145 and 146:
From: Eric Pape Subject: Re: apex o
Page 147 and 148:
All every night walk by the venue i
Page 149 and 150:
From: Ira Lightman Subject: CALL FO
Page 151 and 152:
From: Bob Perelman Subject: Governm
Page 153 and 154:
independence and possible sense of
Page 155 and 156:
imagination, and often introduces t
Page 157 and 158:
From: Ron Silliman Subject: Boy Tal
Page 159 and 160:
From: B. Cass Clarke Subject: Quan
Page 161 and 162:
Look at it this way-email is one of
Page 163 and 164:
From: Nada Gordon Subject: where th
Page 165 and 166:
From: Cynthia Kimball Subject: Ghos
Page 167 and 168:
From: Loss Glazier Subject: Re: boy
Page 169 and 170:
I do not want to be a woman all the
Page 171 and 172:
i yam what i yam a world-changing f
Page 173 and 174:
SAME TIME TO EXPLORE THEORIES OF SE
Page 175 and 176:
From: Kali Tal Subject: Re: Boy Tal
Page 177 and 178:
From: Ann Louise Vickery Subject: D
Page 179 and 180:
From: Colleen Lookingbill Subject:
Page 181 and 182:
7) Denial is an important part of t
Page 183 and 184:
equirement of having to "pay dues,"
Page 185 and 186:
From: Keith Tuma Subject: Re: Close
Page 187 and 188:
From: Maria Damon Subject: more on
Page 189 and 190:
From: David McAleavey Subject: Re:
Page 191 and 192:
From: Kenneth Sherwood Subject: Int
Page 193 and 194:
From: Hank Lazer Subject: close rea
Page 195 and 196:
d’appui). It is easier for studen
Page 197 and 198:
7a. Most probably that the monolith
Page 199 and 200:
From: Eliot Katz Subject: more on c
Page 201 and 202:
emancipatory elements which a reade
Page 203 and 204:
From: Maria Damon Subject: Re: what
Page 205 and 206:
in the culture through coercion of
Page 207 and 208:
From: Kali Tal Subject: Re: what do
Page 209 and 210:
their experience in a potent form-t
Page 211 and 212:
From: Tom Mandel Subject: Re: Conse
Page 213 and 214:
From: Colleen Lookingbill Subject:
Page 215 and 216:
But her [Stein’s] account of firs
Page 217 and 218:
ecognized as "man." In the cane-wei
Page 219 and 220:
From: Alfred Corn (forwarded by Sus
Page 221 and 222:
From: Ron Silliman Subject: Value i
Page 223 and 224:
From: Alan Golding Subject: Howe No
Page 225 and 226: so-called so-called Language writer
Page 227 and 228: From: Keith Tuma Subject: Ghost Cor
Page 229 and 230: ones that distinguish LP from "main
Page 231 and 232: the "mainstream" poetry that has th
Page 233 and 234: (politically indifferent, not worth
Page 235 and 236: Lee Bartlett did with Palmer in the
Page 237 and 238: seems to be a general consensus on
Page 239 and 240: From: Alfred Corn Subject: More For
Page 241 and 242: From: Marjorie Perloff Subject: Jor
Page 243 and 244: From: Ron Silliman Subject: Childre
Page 245 and 246: From: Kevin Killian Subject: A happ
Page 247 and 248: From: Mark Wallace Subject: bland a
Page 249 and 250: From: Mark McMorris Subject: Re: bl
Page 251 and 252: what one could call a systematic sy
Page 253 and 254: While I agree with Jeff Hansen’s
Page 255 and 256: in this way as part of a guarantee
Page 257 and 258: The generational change has probabl
Page 259 and 260: of "elective affinity" by selective
Page 261 and 262: From: Jeff Hansen Subject: wild blu
Page 263 and 264: Hansen’s argument echoes (conscio
Page 265 and 266: not be so elegantly presented as it
Page 267 and 268: From: Jerry Rothenberg Subject: on
Page 269 and 270: I cannot make it cohere. I can read
Page 271 and 272: Before reading Pound, I had only re
Page 273 and 274: So why am I still conflicted about
Page 275: typos!) once a poem was in print. S
Page 279 and 280: influence. This new Pound criticism
Page 281 and 282: Yet Pound’s poetry is never simpl
Page 283 and 284: From: Dick Higgins Subject: Web Poe
show all

Preface - Electronic Poetry Center

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?