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Preface - Electronic Poetry Center

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From: Larry Price<br />

Subject: Politics and derivation<br />

Allen Ginsberg once noted that being an anarchist didn’t mean you could throw<br />

your trash in the street. Similarly, saying poetry won't feed the hungry masses<br />

has about the same meaning as saying a rice grower's fields won't scan or are<br />

overly committed to closure. The political can just as easily begin in the<br />

rejection of an easy forgetfulness, of saying, Since so many others DO (throw<br />

trash, etc.), what would be the point etc. of my not? That sense of resistance is<br />

not, I think, about autonomy only, but equally has implications for the<br />

intersubjective.<br />

That said (and because I do think it has to do with form), I'd like to air thoughts<br />

about Duncan's poetics of derivation. Pushed by Charles Alexander’s note on<br />

THE OPENING OF THE FIELD, I also went to the shelf, to FICTIVE<br />

CERTAINTIES and to AFTER LORCA.<br />

"I find again how Emersonian my spirit is. All of experience seems my trust<br />

fund to me; I must CULTIVATE THE MISTRUST THAT ALONE CAN<br />

GIVE CONTRAST AND THE NEEDED INNER TENSION FOR VITAL<br />

INTEREST. In this I stand almost heretically disposed to Olson's insistence on<br />

Melville's sense of inner catastrophe against the Emersonian bliss." [caps mine]<br />

That poetry is a contagion does seem like a good place to start, but Duncan's<br />

sense of "back and back and back" seems too comfortably located:<br />

"When I first decided to be a poet…this itself was a disordering of the world<br />

and its orders in which I had been raised...I had been preparing to enter that<br />

world…but my conversion to poetry was experienced…as being at war with<br />

every hope the world before had had of me...to give one’s life over to poetry, to<br />

become a poet, was to evidence a serious social disorder."<br />

On the other hand, Spicer:<br />

"Things decay, reason argues. Real things become garbage…Yes, but the<br />

garbage of the real still reaches out into the current world making its objects, in<br />

turn, visible -- lemon calls to lemon, newspaper to newspaper, boy to boy. As<br />

things decay, they bring their equivalents into being."

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