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Preface - Electronic Poetry Center

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From: Steve Evans<br />

Subject: Re: poetry and politics<br />

Apropos the friendship/politics/poetry question, I have been thinking about the<br />

way "friendship" is inflected within the context of the broader attempts at racial<br />

resegregation such as we have been experiencing since c.1980 and which now<br />

threatens to pass the critical mark (pace the decision of my alma mater, the UC<br />

system, while the students were away this summer!).<br />

That’s what was on my mind when I wrote the following in a paper on Frank<br />

O’Hara and the way O’Hara criticism (my examples: Perloff and Bredbeck) has<br />

worked to reproduce the racial segregation his work put into serious question.<br />

Please forgive, if you can, the ungainly prose:<br />

"Independent, as opposed to commercial and institutional, publishing tends to<br />

be directly embedded in the immediate social relations of the people who<br />

undertake it, and this the more so the closer one approaches the basal unit of<br />

such independent production: the restricted-circulation poetry magazine. The<br />

social conditions of production of this form typically involve an editor (or<br />

editors), relying on monies not generated within the poetic field (i.e. earnings<br />

from a "real job," inheritance, or patronage), and possessed of sufficient<br />

amounts of time to absorb the whole spectrum of activities (selecting, editing<br />

and proofing, reproducing, binding, circulating, and publicizing) that in<br />

institutional and commercial contexts are divided among different specialists.<br />

This situation of embeddedness, in which literary project and personal life<br />

converge to the point of mutual subsumption, is an objectively ambivalent one:<br />

though often perceived from the inside as the positive confluence of poetry and<br />

the sphere of elective affinity and friendship, viewed from the "outside" it can<br />

appear as clique-ish arbitrariness. The same ambivalence can be registered in<br />

racial terms, for if independent publishing is at least potentially a site in which<br />

the "spontaneous" desegregation of cultural production can occur–since no<br />

formal mechanisms restrict the editorial decision-making process on racial, or<br />

indeed any other, grounds–it is by the same token, however, that the very<br />

appearance of "spontaneity" can work to veil the de facto segregations of<br />

everyday life and to elide the way that even (one might say "especially")<br />

friendship patterns are overdetermined within a society "in which systems of<br />

dominance and subordination are structured through processes of racialization<br />

that continuously interact with all other forces of socialization" (Carby 193).<br />

The objective ambivalence resulting from the pre- and de-formation of spheres

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