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DM-4800 OWNER'S MANUAL - zZounds.com - Tascam

DM-4800 OWNER'S MANUAL - zZounds.com - Tascam

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About the <strong>DM</strong>-<strong>4800</strong><br />

The <strong>DM</strong>-<strong>4800</strong> provides a fully <strong>com</strong>prehensive range<br />

of I/O facilities. Almost all inputs and internal busses<br />

are “soft”, allowing connections to be patched internally<br />

(naturally, routing configurations may be stored<br />

and recalled).<br />

Inputs For analog input, the <strong>DM</strong>-<strong>4800</strong> provides<br />

twenty-four balanced inputs, with both high-quality<br />

mic amps, and balanced line connections as well as<br />

analog insert points (both mic and line connections<br />

may be made to the same channel at the same time,<br />

but only one may be used at a time). There are also<br />

eight assignable send outputs and inputs for external<br />

loop effects.<br />

The digital side <strong>com</strong>prises three TDIF I/O ports, as<br />

well as ADAT “lightpipe” I/O, and two pairs of stereo<br />

S/PDIF or AES/EBU inputs and outputs.<br />

Four TASCAM-standard card slots provide I/O<br />

expansion capabilities, with a variety of digital or<br />

analog options being available, including a FireWire<br />

Inputs (hardwarte)<br />

1 – Introduction : About the <strong>DM</strong>-<strong>4800</strong><br />

Figure 1.1: Basic logical <strong>com</strong>ponents of the <strong>DM</strong>-<strong>4800</strong><br />

expansion card for direct high-speed bidirectional<br />

<strong>com</strong>munication between a DAW and the <strong>DM</strong>-<strong>4800</strong>.<br />

Channel modules The <strong>DM</strong>-<strong>4800</strong> provides 64<br />

channel modules. These may be freely assigned<br />

internally to the 24 buss modules.<br />

Of these 64 channel modules, 48 are “full-function”<br />

modules with 4-band EQ, digital trim and phase, and<br />

full dynamics processing with <strong>com</strong>pressor/expanders<br />

and gates. The other 16 are more basic in the facilities<br />

provided, but still provide full buss assignment<br />

and aux sends.<br />

The first 48 EQ-enabled channels can have two<br />

sources (input and return), which may be freely<br />

assigned, and can be switched, depending on<br />

whether the project is in the recording or tracking<br />

stage. See the section on assignments (“Routing &<br />

assignment” on page 58) for details of how channel<br />

sources are assigned.<br />

➤ ➤ ➤ ➤<br />

Mic/Line inputs<br />

with inserts (x24)<br />

Assignable<br />

returns (x 8)<br />

Digital stereo<br />

inputs (x 2)<br />

TDIF inputs<br />

(x 24)<br />

AD AT inputs<br />

(x 8)<br />

Option slots<br />

Cascade<br />

2-track in<br />

Mixer channels<br />

48 full-function<br />

channels<br />

16 “simple”<br />

channels<br />

Channel destinations<br />

Assignable<br />

internal inserts<br />

(x 16) — not<br />

“simple” channels<br />

Direct outs<br />

(x 48)<br />

Aux sends<br />

(x 12)<br />

Busses<br />

(x 24)<br />

Stereo buss<br />

Outputs (hardware)<br />

TDIF (x 24)<br />

AD AT (x 8)<br />

Assignable sends<br />

(x 8)<br />

Option slots<br />

Cascade<br />

Stereo outs<br />

(analog & digital)<br />

CR outs<br />

Studio outs<br />

TASCAM <strong>DM</strong>-<strong>4800</strong> User’s Manual 11

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