RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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cuts his links with the decadence of Halliday's group and ideas.
The funny thing is that it is by Gudrun's hand that this happens:
she is a representative of that world too.
Before analysing the meeting of the two couples in the
Alps it should be useful to say that Lawrence, since his early
stories, had a certain impulse to move his characters away from
England.
In The Trespasser, for example, the characters do not
move far away.
They go to an island which is within the
frontiers of England.
Sons and Lovers also does not travel far.
Paul Morel wants to travel abroad after the death of his mother,
but his desire is only in his mind.
He does not realize it.
The Rainbow brings new elements such as the characters1
yearnings to know the 'beyond'. Lydia Brangwen does not belong
to England.
environment.
The 'abroad' thus travels to the English
It is in Women in Love that Lawrence's characters
actually move away from England.
"The Fox" also shows March and
Henry trying to flee from England to live in Canada.
And,
finally, in The Plumed Serpent, the setting is entirely foreign.
Even the main character is not British at all:
Kate is Irish.
Therefore Lawrence, by the end of Women in Love, renounces the
English setting moving away from it, only to return to his
native land in Lady Chatterley's Lover.
The first impression of the married couple when Gudrun
and Gerald meet them is one of (apparently) complete fulfilment.
Gudrun envies her sister's togetherness with Birkin.
Their
togetherness may be contrasted with the other couple's
separateness.
It is as if one couple were moving towards
creation and the other one towards destruction.
Ursula seems
very happy with Birkin, but she also seems still insecure about
having him entirely: "Ursula was excited and happy, but she kept