RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

More documents

Recommendations

Info

387 Sagar, Keith. The Art of D.H. Lawrence, London: Cambridge University Press, 1966. Schorer, Mark (ed) "On Lady Chatterley's Lover" in Modern British Fiction, New York: Oxford University Press, 1961, pp. 285-307. Spender, Stephen (ed) D.H. Lawrence Novelist, Poet, Prophet, New York: Harper & Row, Publishers, 1958. Spilka, Mark The Love Ethic of D.H. Lawrence, Bloomington & London: Indiana University Press, 1971. Spilka, Mark (ed) D.H. Lawrence - A Collection of Critical Essays, Englewood Cliffs, N.J.: Prentice Hall, 1963. Vivas, Eliseo. D.H. Lawrence: The Failure and Triumph of Art, Evanston: Northwestern University Press, 19 60.
Page 1 and 2:
UNIVERSIDADE FEDERAL DE SANTA CATAR
Page 3 and 4:
iii A todas as pessoas que ainda a-
Page 5 and 6:
V AGRADECIMENTO ESPECIAL Ao Profess
Page 7 and 8:
vii relationships. Yet, the partner
Page 9 and 10:
ix Lawrence mostra uma tentativa de
Page 11 and 12:
CHAPTER I STATEMENT OF PROBLEM When
Page 13 and 14:
3 because of this, this phase is co
Page 15 and 16:
5 The views of these above mentione
Page 17 and 18:
7 female reader will remember herse
Page 19 and 20:
Millets' tendentious criticism stat
Page 21 and 22:
11 Everyone who writes on Lawrence
Page 23 and 24:
13 As for homosexuality (which Moor
Page 25 and 26:
15 two thirds of the book [Huxley]
Page 27 and 28:
17 in this dissertation. Vivas' vie
Page 29 and 30:
19 lack of evidence to prove his po
Page 31 and 32:
21 text and supported by the text.
Page 33 and 34:
23 kind of bridge for her search. H
Page 35 and 36:
25 As for the affair between Gudrun
Page 37 and 38:
27 a position Lawrence could not de
Page 39 and 40:
29 the love of the powerful mother,
Page 41 and 42:
31 can be associated with Dr Franks
Page 43 and 44:
33 indifferent to human life. Yet h
Page 45 and 46:
35 he says "Yet at the end, when Ci
Page 47 and 48:
37 spiritual, or aggressive women a
Page 49 and 50:
CHAPTER II THE PATTERN OF CONFLICT
Page 51 and 52:
41 and mind superiority. She is wha
Page 53 and 54:
43 father was serving beer in a pub
Page 55 and 56:
45 the control the whole family wit
Page 57 and 58:
eturning home drunken and certainly
Page 59 and 60:
to reconcile the children with the
Page 61 and 62:
more persuasive to her sons in the
Page 63 and 64:
succeed in life. This is an unconsc
Page 65 and 66:
to strengthen the relation. This me
Page 67 and 68:
eally wants. He goes from one decis
Page 69 and 70:
prefers to think of death instead o
Page 71 and 72:
61 mutual acceptance between them.
Page 73 and 74:
63 implies definitely the mother's
Page 75 and 76:
65 William. He dies. Mrs Morel's li
Page 77 and 78:
67 reserve. And on such occasions h
Page 79 and 80:
69 to go out of it and he has on on
Page 81 and 82:
71 failure. She is losing her son t
Page 83 and 84:
73 more are related to his impotenc
Page 85 and 86:
75 Clara. The idea is that through
Page 87 and 88:
77 was the marital failure? Who was
Page 89 and 90:
he can have pleasure. Miriam is for
Page 91 and 92:
who she is and what she wants. The
Page 93 and 94:
This is like Paul's passion for Cla
Page 95 and 96:
operate on her, since her heart wou
Page 97 and 98:
87 'Let's make a sacrifice of Arabe
Page 99 and 100:
characteristics as she had. in what
Page 101 and 102:
My last point about Sons and Lovers
Page 103 and 104:
93 relation unbearable up to the po
Page 105 and 106:
95 teacher Siegmund. He is a marrie
Page 107 and 108:
97 and strong, and fully fruited, h
Page 109 and 110:
99 though Siegmund wants her, she r
Page 111 and 112:
101 an analogy for Helena. Siegmund
Page 113 and 114:
103 any of the relationships, nor c
Page 115 and 116:
105 Helena's sharpness, and will-to
Page 117 and 118:
107 like him: She glanced up at Sie
Page 119 and 120:
109 Siegmund, usually a bad swimmer
Page 121 and 122:
Ill the moon:"Rocked thus on his st
Page 123 and 124:
113 connotation in his mind) . In f
Page 125 and 126:
115 is to warn Siegmund of the dang
Page 127 and 128:
117 ... For centuries a certain typ
Page 129 and 130:
119 she alone will not bear the gui
Page 131 and 132:
121 The idea which is implicit here
Page 133 and 134:
123 not see it. He bowed in obedien
Page 135 and 136:
125 laurels of having given Siegmun
Page 137 and 138:
128 as always, is not aware of Sieg
Page 139 and 140:
130 on her hat, her eyes, gazing he
Page 141 and 142:
132 to perforin the action. The nar
Page 143 and 144:
134 extreme splits of soul/body. 'B
Page 145 and 146:
136 prepares the path to the other.
Page 147 and 148:
138 connection with the land. This
Page 149 and 150:
140 Tom proposes marriage to Lydia:
Page 151 and 152:
142 They looked at each other, a de
Page 153 and 154:
144 of taking a mistress because "t
Page 155 and 156:
and thinks of them "as if they were
Page 157 and 158:
148 actualy loves or hates. The mix
Page 159 and 160:
15 0 Will is an artist and his conc
Page 161 and 162:
15 2 light of the moon covering Ann
Page 163 and 164:
154 pleasure, but as soon as the no
Page 165 and 166:
in the night they were gathering sh
Page 167 and 168:
is like a dwarf without power. exul
Page 169 and 170:
everything: life and death. He is c
Page 171 and 172:
take hers: but in her own way" (ibi
Page 173 and 174:
164 family the inarticulate sorrow
Page 175 and 176:
much violence. Thus, her love for h
Page 177 and 178:
168 time she walked in a confused h
Page 179 and 180:
170 'separateness' is seen in Women
Page 181 and 182:
172 destroying in people the creati
Page 183 and 184:
174 Paul at this time, encounters t
Page 185 and 186:
176 be a complete human being in th
Page 187 and 188:
178 mistress and her uncle because
Page 189 and 190:
180 When she leaves the school her
Page 191 and 192:
182 dead. The only part of him whic
Page 193 and 194:
184 Ursula first refused him cried
Page 195 and 196:
186 the self Which has made Ursula
Page 197 and 198:
188 compete with her. In fact Skreb
Page 199 and 200:
CHAPTER IV 1 WOMEN IN LOVE: THE PRO
Page 201 and 202:
192 world is a world of dust which
Page 203 and 204:
194 knowledge, breaks out with hars
Page 205 and 206:
up to this. One of them refers to H
Page 207 and 208:
198 because he is no 'clone', no sl
Page 209 and 210:
200 London bohemianism which Birkin
Page 211 and 212:
202 dominant figure in the affair.
Page 213 and 214:
204 course startles Gerald who cann
Page 215 and 216:
206 in the expectancy to find a 'fo
Page 217 and 218:
208 On the other hand, Lawrence giv
Page 219 and 220:
210 they never did in Thomas Crich'
Page 221 and 222:
212 "Think!" he said to her', "you
Page 223 and 224:
214 life and he even apologizes to
Page 225 and 226:
216 see the gate shut; then Gerald
Page 227 and 228:
218 in a fierce desire to deny the
Page 229 and 230:
220 and for a young doctor who was
Page 231 and 232:
222 mutual hellish recognition (p.2
Page 233 and 234:
224 him to be. The interesting aspe
Page 235 and 236:
226 because he thinks that people,
Page 237 and 238:
228 polarity', or in his words: 'Wh
Page 239 and 240:
everyone develops the "river of dis
Page 241 and 242:
Ursula: '... I think that a new wor
Page 243 and 244:
atmosphere of something hidden betw
Page 245 and 246:
disguised inner selves beneath thei
Page 247 and 248:
egathers itself in the water as if
Page 249 and 250:
240 (p.252 - My underlining). His a
Page 251 and 252:
242 the two because somehow he acce
Page 253 and 254:
244 as alternatives to the relation
Page 255 and 256:
246 energy. Hermione. That is how U
Page 257 and 258:
248 'finger-tips'. The couple decid
Page 259 and 260:
250 as you are always saying? You t
Page 261 and 262:
252 turning suddenly to catch hold
Page 263 and 264:
254 exploits Loerke and vice versa.
Page 265 and 266:
256 which no one can escape from. H
Page 267 and 268:
258 like nothing; she is like Geral
Page 269 and 270:
260 shocked,to really blame Gudrun.
Page 271 and 272:
262 can only feel the 'unison in se
Page 273 and 274:
264 has been marked by a whole set
Page 275 and 276:
266 be sure that she will put an en
Page 277 and 278:
unsatisfied tendencies" - I am temp
Page 279 and 280:
270 emotionally. This may be becaus
Page 281 and 282:
27 2 ♦ has a gun), unable to do a
Page 283 and 284:
274 next morning he simply goes to
Page 285 and 286:
The underlined sentences are the ke
Page 287 and 288:
278 because she is not conscious of
Page 289 and 290:
280 to see the strange glow in his
Page 291 and 292:
282 top, Lawrence says that March "
Page 293 and 294:
284 owner of the house for in the m
Page 295 and 296:
286 relationship she is going to ha
Page 297 and 298:
288 spark, and saw the shadow of th
Page 299 and 300:
290 masculine identification. She w
Page 301 and 302:
292 and chiffon dresses. The Banfor
Page 303 and 304:
294 From this point on, March has f
Page 305 and 306:
296 to March. With Henry she will h
Page 307 and 308:
298 and once more the answer goes b
Page 309 and 310:
300 She looked up at him with tears
Page 311 and 312:
CHAPTER V THE PLUMED SERPENT - THE
Page 313 and 314:
304 relations that Lawrence seems d
Page 315 and 316:
306 man. But in The Plumed Serpent
Page 317 and 318:
308 this fate implies punishment be
Page 319 and 320:
310 and his sensuality and this see
Page 321 and 322:
312 Ramon cannot be compared to Wal
Page 323 and 324:
314 Carlota. The fact that Ramon wa
Page 325 and 326:
316 devote special attention: the o
Page 327 and 328:
i 318 ... when she remembered [Cipr
Page 329 and 330:
320 my soul. Let me close my prying
Page 331 and 332:
322 other kind of intimacy save for
Page 333 and 334:
324 But perhaps he would be, if we
Page 335 and 336:
326 general. And furthermore, if Ka
Page 337 and 338:
328 black hair, which he wore rathe
Page 339 and 340:
330 himself, his nakedness, his min
Page 341 and 342:
332 is no beyond" and where only me
Page 343 and 344:
:334 thing. She resented being made
Page 345 and 346: 336 because he really is an author
Page 347 and 348: 338 strong element is the meeting b
Page 349 and 350: 340 novelist, deals with people in
Page 351 and 352: 342 fit his own personality. More m
Page 353 and 354: 344 novella analysed in this disser
Page 355 and 356: 346 to that fatal place. Another fa
Page 357 and 358: 348 Byrne's last speech implies tha
Page 359 and 360: 350 There is a basic hostility in a
Page 361 and 362: 352 him. The turning to the city al
Page 363 and 364: 35 4- being. In fourth place comes
Page 365 and 366: 356 Although it may seem strange to
Page 367 and 368: "358- following novels. Women in Lo
Page 369 and 370: 360 The very end of the novel shows
Page 371 and 372: 262 in the end of Women in Love ill
Page 373 and 374: 564 that she wants a balanced relat
Page 375 and 376: 366 wanted her to give herself with
Page 377 and 378: 368 he can do no more in his own vo
Page 379 and 380: 370 the conclusion that in Mexico t
Page 381 and 382: 37-2- don't'". Her reply to this do
Page 383 and 384: 37-4 the masculine side. Also, anot
Page 385 and 386: 376 Ursula, in a rejected fragment
Page 387 and 388: 37.8 a personality to compete with
Page 389 and 390: 380 the one which shows the most su
Page 391 and 392: stories show his internal conflict
Page 393 and 394: 384 perfect union in human beings
Page 395: 386 Lawrence, D.H. Sons and Lovers,
show all

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?