RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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583 between power and potency as defined by the psychologist Erich Fromm: The word 'power' has a two fold meaning. One is the possession of power over somebody, the ability to dominate him; the other meaning is the possession of power to do something, to be able, to be potent. The latter meaning has nothing to do with domination; it expresses mastery in a sense of ability. If we speak of powerlessness we have this meaning in mind; we do not think of a person who is not able to dominate others, but of a person who is not able to do what he wants. Thus power can mean one of two things, domination or potency. Far from being identical, these two qualities are mutually exclusive. Impotence, using the term not only with regard to the sexual sphere but to all spheres of human potentialities, results in the sadistic striving for domination; to the extent to which an individual is potent, that is, able to realize his potentialities on the basis of freedom and integrity of his self, he does not need to dominate and is lacking the lust for power. Power, in the sense of domination is the perversion of sexual love (p.306). And as this above quotation implies, the search for domination (in the case of The Plumed Serpent) is not at all connected with equilibrium, harmony between the sexes. It is the perversion of sexual love. This is entirely true in the case of Cipriano and Kate. The mutual respect is replaced by sexual savagery, dominance of the male over the female; the transformation of sexuality into a relation of sado-masochism. It has nothing to do with the meeting of the body and soul, the 'two in one'. The perverse male swallows the female. And even in Lawrence's last novel, Lady Chatterley, the idea is still the separation of body and soul. And as Connie has rejected Clifford's mind to be the worshipper of Mellors' body, and vice versa, we may say that the only salvation for the human being (for Lawrence) is in blood consciousness, not in mind consciousness. Lady Chatterley represents the surrender of the mind. Lawrence, therefore, could never be able to put in practice what he believed to be the most
384 perfect union in human beings — the union of male and female in terms of a successful marriage between body and soul.
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UNIVERSIDADE FEDERAL DE SANTA CATAR
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iii A todas as pessoas que ainda a-
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V AGRADECIMENTO ESPECIAL Ao Profess
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vii relationships. Yet, the partner
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ix Lawrence mostra uma tentativa de
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CHAPTER I STATEMENT OF PROBLEM When
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3 because of this, this phase is co
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5 The views of these above mentione
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7 female reader will remember herse
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Millets' tendentious criticism stat
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11 Everyone who writes on Lawrence
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13 As for homosexuality (which Moor
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15 two thirds of the book [Huxley]
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17 in this dissertation. Vivas' vie
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19 lack of evidence to prove his po
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21 text and supported by the text.
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23 kind of bridge for her search. H
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25 As for the affair between Gudrun
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27 a position Lawrence could not de
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29 the love of the powerful mother,
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31 can be associated with Dr Franks
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33 indifferent to human life. Yet h
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35 he says "Yet at the end, when Ci
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37 spiritual, or aggressive women a
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CHAPTER II THE PATTERN OF CONFLICT
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41 and mind superiority. She is wha
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43 father was serving beer in a pub
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45 the control the whole family wit
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eturning home drunken and certainly
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to reconcile the children with the
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more persuasive to her sons in the
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succeed in life. This is an unconsc
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to strengthen the relation. This me
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eally wants. He goes from one decis
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prefers to think of death instead o
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61 mutual acceptance between them.
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63 implies definitely the mother's
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65 William. He dies. Mrs Morel's li
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67 reserve. And on such occasions h
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69 to go out of it and he has on on
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71 failure. She is losing her son t
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73 more are related to his impotenc
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75 Clara. The idea is that through
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77 was the marital failure? Who was
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he can have pleasure. Miriam is for
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who she is and what she wants. The
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This is like Paul's passion for Cla
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operate on her, since her heart wou
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87 'Let's make a sacrifice of Arabe
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characteristics as she had. in what
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My last point about Sons and Lovers
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93 relation unbearable up to the po
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95 teacher Siegmund. He is a marrie
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97 and strong, and fully fruited, h
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99 though Siegmund wants her, she r
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101 an analogy for Helena. Siegmund
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103 any of the relationships, nor c
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105 Helena's sharpness, and will-to
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107 like him: She glanced up at Sie
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109 Siegmund, usually a bad swimmer
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Ill the moon:"Rocked thus on his st
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113 connotation in his mind) . In f
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115 is to warn Siegmund of the dang
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117 ... For centuries a certain typ
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119 she alone will not bear the gui
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121 The idea which is implicit here
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123 not see it. He bowed in obedien
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125 laurels of having given Siegmun
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128 as always, is not aware of Sieg
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130 on her hat, her eyes, gazing he
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132 to perforin the action. The nar
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134 extreme splits of soul/body. 'B
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136 prepares the path to the other.
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138 connection with the land. This
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140 Tom proposes marriage to Lydia:
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142 They looked at each other, a de
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144 of taking a mistress because "t
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and thinks of them "as if they were
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148 actualy loves or hates. The mix
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15 0 Will is an artist and his conc
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15 2 light of the moon covering Ann
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154 pleasure, but as soon as the no
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in the night they were gathering sh
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is like a dwarf without power. exul
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everything: life and death. He is c
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take hers: but in her own way" (ibi
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164 family the inarticulate sorrow
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much violence. Thus, her love for h
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168 time she walked in a confused h
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170 'separateness' is seen in Women
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172 destroying in people the creati
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174 Paul at this time, encounters t
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176 be a complete human being in th
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178 mistress and her uncle because
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180 When she leaves the school her
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182 dead. The only part of him whic
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184 Ursula first refused him cried
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186 the self Which has made Ursula
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188 compete with her. In fact Skreb
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CHAPTER IV 1 WOMEN IN LOVE: THE PRO
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192 world is a world of dust which
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194 knowledge, breaks out with hars
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up to this. One of them refers to H
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198 because he is no 'clone', no sl
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200 London bohemianism which Birkin
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202 dominant figure in the affair.
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204 course startles Gerald who cann
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206 in the expectancy to find a 'fo
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208 On the other hand, Lawrence giv
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210 they never did in Thomas Crich'
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212 "Think!" he said to her', "you
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214 life and he even apologizes to
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216 see the gate shut; then Gerald
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218 in a fierce desire to deny the
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220 and for a young doctor who was
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222 mutual hellish recognition (p.2
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224 him to be. The interesting aspe
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226 because he thinks that people,
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228 polarity', or in his words: 'Wh
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everyone develops the "river of dis
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Ursula: '... I think that a new wor
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atmosphere of something hidden betw
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disguised inner selves beneath thei
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egathers itself in the water as if
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240 (p.252 - My underlining). His a
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242 the two because somehow he acce
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244 as alternatives to the relation
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246 energy. Hermione. That is how U
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248 'finger-tips'. The couple decid
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250 as you are always saying? You t
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252 turning suddenly to catch hold
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254 exploits Loerke and vice versa.
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256 which no one can escape from. H
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258 like nothing; she is like Geral
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260 shocked,to really blame Gudrun.
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262 can only feel the 'unison in se
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264 has been marked by a whole set
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266 be sure that she will put an en
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unsatisfied tendencies" - I am temp
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270 emotionally. This may be becaus
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27 2 ♦ has a gun), unable to do a
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274 next morning he simply goes to
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The underlined sentences are the ke
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278 because she is not conscious of
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280 to see the strange glow in his
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282 top, Lawrence says that March "
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284 owner of the house for in the m
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286 relationship she is going to ha
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288 spark, and saw the shadow of th
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290 masculine identification. She w
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292 and chiffon dresses. The Banfor
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294 From this point on, March has f
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296 to March. With Henry she will h
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298 and once more the answer goes b
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300 She looked up at him with tears
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CHAPTER V THE PLUMED SERPENT - THE
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304 relations that Lawrence seems d
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306 man. But in The Plumed Serpent
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308 this fate implies punishment be
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310 and his sensuality and this see
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312 Ramon cannot be compared to Wal
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314 Carlota. The fact that Ramon wa
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316 devote special attention: the o
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i 318 ... when she remembered [Cipr
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320 my soul. Let me close my prying
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322 other kind of intimacy save for
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324 But perhaps he would be, if we
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326 general. And furthermore, if Ka
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328 black hair, which he wore rathe
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330 himself, his nakedness, his min
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Page 345 and 346: 336 because he really is an author
Page 347 and 348: 338 strong element is the meeting b
Page 349 and 350: 340 novelist, deals with people in
Page 351 and 352: 342 fit his own personality. More m
Page 353 and 354: 344 novella analysed in this disser
Page 355 and 356: 346 to that fatal place. Another fa
Page 357 and 358: 348 Byrne's last speech implies tha
Page 359 and 360: 350 There is a basic hostility in a
Page 361 and 362: 352 him. The turning to the city al
Page 363 and 364: 35 4- being. In fourth place comes
Page 365 and 366: 356 Although it may seem strange to
Page 367 and 368: "358- following novels. Women in Lo
Page 369 and 370: 360 The very end of the novel shows
Page 371 and 372: 262 in the end of Women in Love ill
Page 373 and 374: 564 that she wants a balanced relat
Page 375 and 376: 366 wanted her to give herself with
Page 377 and 378: 368 he can do no more in his own vo
Page 379 and 380: 370 the conclusion that in Mexico t
Page 381 and 382: 37-2- don't'". Her reply to this do
Page 383 and 384: 37-4 the masculine side. Also, anot
Page 385 and 386: 376 Ursula, in a rejected fragment
Page 387 and 388: 37.8 a personality to compete with
Page 389 and 390: 380 the one which shows the most su
Page 391: stories show his internal conflict
Page 395 and 396: 386 Lawrence, D.H. Sons and Lovers,
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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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