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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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characteristics as she had.<br />

in what Paul wished to do.<br />

She was always present, interfering<br />

She was there, always haunting him,<br />

making him feel guilty and making him see her through Miriam.<br />

Paul could never marry Miriam because "He could not have faced<br />

his mother" (p.340).<br />

Moreover, Mrs Morel in her possessive love,<br />

made Paul think that any woman "was like their (men's) mother,<br />

and they were full of the sense of their mother" (p.341). It is<br />

definitely Paul identifying Miriam (or any other woman) with his<br />

mother.<br />

As he cannot marry his mother, he can never marry Miriam.<br />

Therefore, Mrs Morel has, besides destroying Paul's love for<br />

Miriam, also destroyed Miriam's life.<br />

The girl will never be<br />

able to love another man while Paul exists and as he does not<br />

want her, she will keep herself waiting for him, the eternal life<br />

of self-sacrifice and annulment.<br />

Paul, unconsciously because of his mother, has destroyed<br />

his relationship with Clara because she was a married woman, and<br />

for him "Marriage was for life" (p.340).<br />

It is necessary to stop<br />

feeling guilty and thus, he returns Clara to Baxter.<br />

His mother has divided his own consciousness into two parts:<br />

the soul which is opposed to the body.<br />

So, in transforming Paul<br />

into a divided man, she has directly made her son (or sons) fail<br />

in his emotional life.<br />

This feature of Mrs Morel is where<br />

Lawrence establishes the main conflict of his own life and the<br />

battle to put soul and body together becomes the major subject of<br />

his novels.<br />

What is left for Paul at the end of Sons and Lovers is<br />

impossible to say since, as I said previously, Paul is a man who<br />

is totally contradictory.<br />

He goes from one extreme to the other.<br />

He loves or hates. He wants life or death. He is sad or happy.

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