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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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332<br />

is no beyond" and where only men can attain the perfect<br />

communion.<br />

After this black ceremony the story takes a doubtful<br />

course in relation to Kate and also to Ramon.<br />

Kate is again<br />

uncertain whether she is happy or not with her marriage (only<br />

by Quetzalcoatl) to the bloody Huitzilopochtli.<br />

She begins again<br />

questioning her new self in relation to her old one.<br />

And after<br />

she is named 'Malintzi' by Cipriano she is confused and brings<br />

her old self to her mind.<br />

She seems to be not very pleased with<br />

her submission to her god-husband mainly because she still has a<br />

mind of her own to oppose to Cipriano:<br />

'You treat me as if I had no life of my own,'<br />

she said. 'But I have.'<br />

'A life of your own? Who gave it to you?<br />

Where did you get it?'<br />

'I don't know. But I have got it. And I must<br />

live it. I can't be swallowed up.'<br />

'Why, Malintzi?' he said, giving her a name.<br />

'Why can't you?' (p.406).<br />

The problem is that the vanity of becoming a God makes Cipriano<br />

think that he is more than a man.<br />

And Kate realizes this is a<br />

result of the Quetzalcoatl religion, as she tells Cipriano:<br />

'Go back to [Ramon]. You only care about him,<br />

and your living Quetzalcoatl and your living<br />

Huitzilopochtli. I am only a woman. '<br />

'No, Malintzi, you are more. You are more<br />

than Kate. You are Malintzi.'<br />

'I am not! I am only Kate, and I am only a<br />

woman. I mistrust all that other stuff' (p.406).<br />

Kate's sudden rebellion against Quetzalcoatl and Huitzilopochtli<br />

seems to be a result of her conflict with her two selves.<br />

In<br />

her new self she must accept submission and in her old she is<br />

free, independent.<br />

She is no goddess, no mystical wife of a<br />

savage.<br />

Her fierce opposition to Ramon and Cipriano may prove<br />

that Lawrence's belief in his own story is as frail as a soap

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