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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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76<br />

Paul's inconsistency is sometimes boring.<br />

He does not<br />

know where he can put his hands with safety.<br />

His extreme points<br />

of view make the reader angry with the young man.<br />

For instance,<br />

he hated Miriam for her unreserve in showing feelings.<br />

Clara<br />

makes him angry because she hardly expresses her inner feelings.<br />

Paul cannot stand this, nor the feeling of disdain and superiority<br />

with which Clara often treats him.<br />

Because of this he tries to<br />

boss her.<br />

If he cannot do this as a man, he tries to do it<br />

professionally:<br />

'Here, I say, you seem to forget I'm your boss.<br />

It just occurs to me.'<br />

'And what does that mean?' she asked cooly.<br />

'It means I've got a right to boss you.'...'<br />

'I don't know what you want,' she said,<br />

continuing her task.<br />

'I want you to treat me nicely and respectfully.'<br />

'Call your "sir" perhaps?' she asked quietly.<br />

'Yes, call me "sir". I should love it.'<br />

'Then I wish you to go upstairs, sir.' (pp.325-6)<br />

The impression is that this relationship can be taken as a 'duel'<br />

in which hostility is mixed with desire.<br />

Clara seems distant and<br />

this makes Paul wish to bring her close to him.<br />

To achieve this,<br />

his way is to diminish her importance (and larger size) by<br />

mistreating her in her work since he is superior to her there.<br />

As with Miriam who first resented Paul's proximity, but<br />

gradually accepted him, Paul and Clara grow intimate.<br />

Their first<br />

serious talk refers to the subject of marriage and, later on,<br />

Miriam.<br />

The first part of their marriage conversation is somehow<br />

unilateral.<br />

At least in the sense that Paul is not able to<br />

understand what Clara means by being nearly asleep all her life<br />

before getting separated from her husband.<br />

Paul's questioning of<br />

Clara's reasons for separation are not in fact directed to her.<br />

He seems to be asking his mother about her marriage.<br />

What may<br />

seem important here is the fact that Paul does not feel Clara<br />

answering, but puts his mother to a vicarious trial: whose fault

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