RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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301 sincere' than Birkin's. Henry is much closer to be a 'dark male' than is Lawrence's spokesman in Women in Love. However, he cannot be entirely considered as a dark male as is Cipriano in The Plumed Serpent. Ursula and March are not really soulful as Hermione, Mrs Morel, and Helena, but both heroines can be considered as independents. They do want balance. Their men do not.
CHAPTER V THE PLUMED SERPENT - THE ASCENDENCE <strong>OF</strong> THE DARK MALE '... the balance lies in that when one goes up, the other goes down. One acts, the other takes. It is the only way in love. 1 (Aaron 's Rod, p.287). During the so-called 'leadership period', Lawrence finally decided that his previous yearnings for balance in Sons and Lovers, The Rainbow and Women in Love will no longer constitute the main quest of his characters. Women must definitely bow and submit to the men. It is in his third phase, or the period represented by Aaron1s Rod, Kangaroo and The Plumed Serpent that Lawrence experiments with punishing his strong female characters by attempting to destroy their spirituality and transforming them into blind parrots of male supremacy. It is in these three novels that Lawrence develops the bloodbrotherhood theme with an apparently more successful result. It is also in the leadership novels that the author provokes a certain collapse in the relation between man and woman. placed in a secondary sphere. This relation is definitely The man-to-man relationship is in a fierce opposition with the man-to-woman relation. However,
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UNIVERSIDADE FEDERAL DE SANTA CATAR
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iii A todas as pessoas que ainda a-
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V AGRADECIMENTO ESPECIAL Ao Profess
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vii relationships. Yet, the partner
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ix Lawrence mostra uma tentativa de
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CHAPTER I STATEMENT OF PROBLEM When
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3 because of this, this phase is co
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5 The views of these above mentione
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7 female reader will remember herse
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Millets' tendentious criticism stat
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11 Everyone who writes on Lawrence
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13 As for homosexuality (which Moor
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15 two thirds of the book [Huxley]
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17 in this dissertation. Vivas' vie
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19 lack of evidence to prove his po
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21 text and supported by the text.
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23 kind of bridge for her search. H
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25 As for the affair between Gudrun
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27 a position Lawrence could not de
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29 the love of the powerful mother,
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31 can be associated with Dr Franks
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33 indifferent to human life. Yet h
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35 he says "Yet at the end, when Ci
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37 spiritual, or aggressive women a
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CHAPTER II THE PATTERN OF CONFLICT
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41 and mind superiority. She is wha
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43 father was serving beer in a pub
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45 the control the whole family wit
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eturning home drunken and certainly
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to reconcile the children with the
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more persuasive to her sons in the
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succeed in life. This is an unconsc
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to strengthen the relation. This me
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eally wants. He goes from one decis
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prefers to think of death instead o
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61 mutual acceptance between them.
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63 implies definitely the mother's
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65 William. He dies. Mrs Morel's li
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67 reserve. And on such occasions h
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69 to go out of it and he has on on
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71 failure. She is losing her son t
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73 more are related to his impotenc
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75 Clara. The idea is that through
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77 was the marital failure? Who was
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he can have pleasure. Miriam is for
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who she is and what she wants. The
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This is like Paul's passion for Cla
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operate on her, since her heart wou
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87 'Let's make a sacrifice of Arabe
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characteristics as she had. in what
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My last point about Sons and Lovers
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93 relation unbearable up to the po
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95 teacher Siegmund. He is a marrie
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97 and strong, and fully fruited, h
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99 though Siegmund wants her, she r
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101 an analogy for Helena. Siegmund
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103 any of the relationships, nor c
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105 Helena's sharpness, and will-to
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107 like him: She glanced up at Sie
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109 Siegmund, usually a bad swimmer
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Ill the moon:"Rocked thus on his st
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113 connotation in his mind) . In f
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115 is to warn Siegmund of the dang
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117 ... For centuries a certain typ
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119 she alone will not bear the gui
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121 The idea which is implicit here
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123 not see it. He bowed in obedien
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125 laurels of having given Siegmun
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128 as always, is not aware of Sieg
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130 on her hat, her eyes, gazing he
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132 to perforin the action. The nar
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134 extreme splits of soul/body. 'B
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136 prepares the path to the other.
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138 connection with the land. This
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140 Tom proposes marriage to Lydia:
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142 They looked at each other, a de
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144 of taking a mistress because "t
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and thinks of them "as if they were
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148 actualy loves or hates. The mix
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15 0 Will is an artist and his conc
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15 2 light of the moon covering Ann
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154 pleasure, but as soon as the no
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in the night they were gathering sh
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is like a dwarf without power. exul
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everything: life and death. He is c
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take hers: but in her own way" (ibi
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164 family the inarticulate sorrow
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much violence. Thus, her love for h
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168 time she walked in a confused h
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170 'separateness' is seen in Women
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172 destroying in people the creati
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174 Paul at this time, encounters t
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176 be a complete human being in th
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178 mistress and her uncle because
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180 When she leaves the school her
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182 dead. The only part of him whic
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184 Ursula first refused him cried
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186 the self Which has made Ursula
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188 compete with her. In fact Skreb
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CHAPTER IV 1 WOMEN IN LOVE: THE PRO
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192 world is a world of dust which
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194 knowledge, breaks out with hars
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up to this. One of them refers to H
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198 because he is no 'clone', no sl
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200 London bohemianism which Birkin
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202 dominant figure in the affair.
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204 course startles Gerald who cann
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206 in the expectancy to find a 'fo
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208 On the other hand, Lawrence giv
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210 they never did in Thomas Crich'
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212 "Think!" he said to her', "you
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214 life and he even apologizes to
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216 see the gate shut; then Gerald
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218 in a fierce desire to deny the
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220 and for a young doctor who was
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222 mutual hellish recognition (p.2
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224 him to be. The interesting aspe
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226 because he thinks that people,
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228 polarity', or in his words: 'Wh
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everyone develops the "river of dis
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Ursula: '... I think that a new wor
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atmosphere of something hidden betw
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disguised inner selves beneath thei
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egathers itself in the water as if
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240 (p.252 - My underlining). His a
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242 the two because somehow he acce
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244 as alternatives to the relation
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246 energy. Hermione. That is how U
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248 'finger-tips'. The couple decid
Page 259 and 260: 250 as you are always saying? You t
Page 261 and 262: 252 turning suddenly to catch hold
Page 263 and 264: 254 exploits Loerke and vice versa.
Page 265 and 266: 256 which no one can escape from. H
Page 267 and 268: 258 like nothing; she is like Geral
Page 269 and 270: 260 shocked,to really blame Gudrun.
Page 271 and 272: 262 can only feel the 'unison in se
Page 273 and 274: 264 has been marked by a whole set
Page 275 and 276: 266 be sure that she will put an en
Page 277 and 278: unsatisfied tendencies" - I am temp
Page 279 and 280: 270 emotionally. This may be becaus
Page 281 and 282: 27 2 ♦ has a gun), unable to do a
Page 283 and 284: 274 next morning he simply goes to
Page 285 and 286: The underlined sentences are the ke
Page 287 and 288: 278 because she is not conscious of
Page 289 and 290: 280 to see the strange glow in his
Page 291 and 292: 282 top, Lawrence says that March "
Page 293 and 294: 284 owner of the house for in the m
Page 295 and 296: 286 relationship she is going to ha
Page 297 and 298: 288 spark, and saw the shadow of th
Page 299 and 300: 290 masculine identification. She w
Page 301 and 302: 292 and chiffon dresses. The Banfor
Page 303 and 304: 294 From this point on, March has f
Page 305 and 306: 296 to March. With Henry she will h
Page 307 and 308: 298 and once more the answer goes b
Page 309: 300 She looked up at him with tears
Page 313 and 314: 304 relations that Lawrence seems d
Page 315 and 316: 306 man. But in The Plumed Serpent
Page 317 and 318: 308 this fate implies punishment be
Page 319 and 320: 310 and his sensuality and this see
Page 321 and 322: 312 Ramon cannot be compared to Wal
Page 323 and 324: 314 Carlota. The fact that Ramon wa
Page 325 and 326: 316 devote special attention: the o
Page 327 and 328: i 318 ... when she remembered [Cipr
Page 329 and 330: 320 my soul. Let me close my prying
Page 331 and 332: 322 other kind of intimacy save for
Page 333 and 334: 324 But perhaps he would be, if we
Page 335 and 336: 326 general. And furthermore, if Ka
Page 337 and 338: 328 black hair, which he wore rathe
Page 339 and 340: 330 himself, his nakedness, his min
Page 341 and 342: 332 is no beyond" and where only me
Page 343 and 344: :334 thing. She resented being made
Page 345 and 346: 336 because he really is an author
Page 347 and 348: 338 strong element is the meeting b
Page 349 and 350: 340 novelist, deals with people in
Page 351 and 352: 342 fit his own personality. More m
Page 353 and 354: 344 novella analysed in this disser
Page 355 and 356: 346 to that fatal place. Another fa
Page 357 and 358: 348 Byrne's last speech implies tha
Page 359 and 360: 350 There is a basic hostility in a
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352 him. The turning to the city al
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35 4- being. In fourth place comes
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356 Although it may seem strange to
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"358- following novels. Women in Lo
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360 The very end of the novel shows
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262 in the end of Women in Love ill
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564 that she wants a balanced relat
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366 wanted her to give herself with
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368 he can do no more in his own vo
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370 the conclusion that in Mexico t
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37-2- don't'". Her reply to this do
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37-4 the masculine side. Also, anot
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376 Ursula, in a rejected fragment
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37.8 a personality to compete with
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380 the one which shows the most su
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stories show his internal conflict
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384 perfect union in human beings
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386 Lawrence, D.H. Sons and Lovers,
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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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