RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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next morning he simply goes to shoot rabbits as if he had nothing
to do to help the girls.
There is also a suggestion that
intentionally he does not find a place to stay in the town.
is not worried as he should be: "He left the matter to them.
He
He
was rather calm about it" (p.101).
Moreover, when Banford tells
him that he can stop at the farm, his behaviour is typical of
people with hidden purposes who do not want to be discovered:
A smilelike a cunning flame came over his face,
suddenly and involuntarily. He dropped his head
quickly to hide it, and remained with his head
dropped, his face hidden (p.102 - My underlining).
The impression is that Henry schemes and plots, but, yet (like a
child), he several times reveals his feelings, as the passage
implies.
And here he is exultant as if he had won his first
round. The second one would be to hunt March. Henry is a false,
perverse character.
He has two ways of treating the girls. With
March he is furtive and with Banford he is kind, gentle, but he
sounds false.
When he is sure of his staying "His face beamed,
and he almost rubbed his hands with pleasure" (p.103).
work,
Henry keeps around the farm, trying to help with the
- but not too much. He loved to be out alone with
the gun in his hands, to watch, to see. For his
sharp-eyed, impersonal curiosity was insatiable,
and he was most free when he was quite alone,
half-hidden, watching (ibid).
Now Lawrence points out what Henry is - a sharp impersonal young
man who is not a farm worker, but a hunter, or a mercenary ready
to catch an enemy for the sake of a prize or something similar.
That is why he is almost always observing his surroundings,
looking for his prey:
Particularly he watched March. She was a
strange character to him. Her figure, like a