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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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309<br />

line.<br />

On this side there was youth and spontaneity and<br />

"happiness".<br />

On the other side something different: reserve,<br />

responsibility, a certain standing back from "fun" (p.50).<br />

For<br />

Kate, she has lived half a life, a "bright page with its flowers<br />

and its love" which ended with the death of her second husband<br />

Joachim.<br />

The future for her is a new page and it seems that her<br />

prospects are not good because she feels the future as a 'dark<br />

page'.<br />

The point is perhaps her fear of Mexico and the sense of<br />

doom it evokes in her.<br />

It is as if she were on a "high plateau<br />

of death".<br />

Her conflict derives from this sensation of doom,<br />

and from having to decide whether to stay or to go away from<br />

Mexico.<br />

She knows that somehow she wants a new self because her<br />

old one lies behind her in Europe, associated with her dead<br />

husband:<br />

Joachim Leslie, her dead husband, she had loved<br />

as much as a woman can love a man: that is, to the<br />

bounds of human love. Then she had realised that<br />

human love has its limits, that there is a beyond.<br />

And Joachim dead, willy nilly her spirit had passed<br />

the bounds. She was no longer in love with love.<br />

She no longer yearned for the love of a man, or the<br />

love even of her children. Joachim had gone into<br />

eternity in death, and she had crossed with him a<br />

certain eternity in life. There, the yearning for<br />

companionship and sympathy and human love had left<br />

her (pp.61-2).<br />

Kate apparently knows that she does not want 'human love' or<br />

'companionship'.<br />

This she has already shared with Joachim. Now<br />

she wants other feelings to fulfil her inner yearnings: "the<br />

flower of her soul was opening" (p.62).<br />

One may think that what<br />

she indeed wants is a communion of her soul with another soul<br />

for "she must preserve herself from worldly contacts" (ibid). If<br />

Kate is really eager to 'open her soul', one wonders again why<br />

she has submitted herself to the dark male in Cipriano who has<br />

no connection with soul.<br />

Everything about him refers to his body

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