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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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In spite of the importance William has in his mother's<br />

life, he is not the key to the role of dominance presented by<br />

Lawrence in Sons and Lovers.<br />

Neither William, nor his father:<br />

Paul Morel, the third son, is this key.<br />

He is the one who has<br />

the most intrinsic and sick relationship with his mother, in<br />

whose hands lie the definition of a contradictory, self-repressive<br />

personality.<br />

William dies.<br />

It is in Paul that the mother's life centers when<br />

It is he who most concentrates the exasperating<br />

love for his mother.<br />

And although the reverse is also true, it<br />

must be said that Gertrude Morel did love her first son best, and<br />

in fact Paul was jealous of this, and aware that he was 'second-<br />

best'.<br />

Paul's relationship with his mother matches Freud's<br />

theory of Oedipus Complex (the symptoms are clearly stated by the<br />

author throughout the novel).<br />

Paul's birth, as I have already pointed out, is the most<br />

troublesome.<br />

His mother has rejected him even before he was<br />

born.<br />

This fact implies that the child will have the sequels<br />

(either good or bad) arisen through his mother's rejection.<br />

The<br />

child has all the elements to become a mentally disordered one.<br />

His health is weak and hence he depends too much on his mother's<br />

attention and care.<br />

hypersensitiveness.<br />

I think that his illness, if it is, is<br />

Paul is the son who is able to share his<br />

mother's pains much more than the other children, and because of<br />

this 'quality' he is also the one who suffers more.<br />

His character<br />

goes from one extreme to the other:<br />

at one moment he is all love<br />

and soon after he is transformed into a flood of anger; at another<br />

moment he is all nervous, soon after he is as calm as a day<br />

without wind.<br />

That is Paul Morel: he concentrates all feelings<br />

at once without distinguishing them clearly.<br />

Up to the end of<br />

the novel he cannot be said to know with determination what he

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