RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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struggle for domination between the couples in the author's early,
middle and late works.
I am going to concentrate this analysis in the following
way:
a. To show how the pattern of conflict varies and extends
prototypes found in the autobiographical novel Sons and
Lovers;
b. to show if this fiction of successive phases reveals
shifts in the author's sympathy towards his mother or
his father;
c. to show that such shifts of sympathy or identification
occur in individual works, where they characteristically
are reflected in X-shaped plots and the pattern of
characters exchanging roles in respect to dominance and
submission.
The line I intend to follow is an independent form of
contextual criticism.
Priority will be given to the text in an
attempt to avoid theoretical preconceptions (including those of
the author himself).
I will examine plot structure,
characterization, imagery, authorial comment — in short, all
those areas that cast light on the problem of conflict defined
above.
Works will be examined both in terms of their individual
integrity and in terms of the way they fit into the opus as a
whole and reflect the author's total evolution.
The works examined in this dissertation will be drawn from
the commonly discriminated phases in Lawrence's works.
The
first one, the early pattern, covers his first phase, and The
Trespasser, Sons and Lovers and The Rainbow are the most
representative of. this part.
In them there is a tendency to
present women as the strongest characters.
They are maternal,