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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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82<br />

steps. At last they found the broken path...<br />

Suddenly, coming on the little level, he saw<br />

two figures of men standing silent at the water's<br />

edge. His heart leaped. They were fishing. He<br />

turned and put his hand up warning Clara. She<br />

hesitated, buttonned her coat. The two went on<br />

together.<br />

... He looked across at every tree-foot. At last<br />

he found what he wanted. Two bench trees side by<br />

side on the hill held a little level on the upper<br />

face between their roots. It was littered with<br />

damp leaves, but it would do. The fishermen were<br />

perhaps sufficiently out of sight... (pp.377-8).<br />

When Paul and Clara finish making love, the sense of the aftermath<br />

is of sin.<br />

It seems that there is blood everywhere as if Paul<br />

had bitten himself and Clara.<br />

reasonable answer for this.<br />

Guilt is perhaps the most<br />

It may seem a speculative point to<br />

say that Paul's feelings towards Clara at this moment are the<br />

same as if he had made love to his own mother for there is blood<br />

(symbolically) on the black wet beech-roots and on Clara's bosom.<br />

This may mean guilt and sin at the same time.<br />

Also because Paul<br />

assumes his father's way of speaking. He 'thees' Clara. Paul<br />

becomes like his father, and Clara like his mother.<br />

What Paul<br />

says afterwards is the definitive proof of this sense of guilt:<br />

"'And I'll clean thy boots and make thee fit for respectable<br />

folk,' he said...'<br />

Not sinners, are we?' he said, with an uneasy<br />

little frown" (pp.379-82 - My underlining).<br />

Just as an<br />

observation, it may be useful to remind that Paul used to clean<br />

his mother's boots ("Mrs Morel was one of those naturally<br />

exquisite people who can walk in mud without dirtying her shoes"<br />

(p.152)). . It is one more hint of his identifying Clara with his<br />

mother who stands for 'a respectable folk'.<br />

Paul's passion for Clara might be seen like fire in a bunch<br />

of straw: it is big, red, hot; but it also has too much smoke. A<br />

few moments later it vanishes, not gradually, but almost at once<br />

leaving only a few<br />

ashes, no fire, no smoke, nothing remains.

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