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emmanuel reynaud holy virility the social construction of masculinity

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The disappearing bοdy<br />

Man reproduces <strong>the</strong> body/mind separation that he creates in<br />

himself in his relationships with women. Just as he tends to<br />

picture himself as pure mind, so he sees woman as<br />

unrestrained flesh, a body over which <strong>the</strong> head has, no control.<br />

He likes to consider himself a cultural being, almost completely<br />

free <strong>of</strong> natural contingencies, while he represents woman as a<br />

sort <strong>of</strong> natural being still subject to <strong>the</strong> obscure forces <strong>of</strong><br />

nature. On this basis he defines as 'masculine', not only <strong>the</strong> few<br />

characteristics associated with <strong>the</strong> male sex, but all <strong>the</strong> human<br />

traits in which he acknowledges an ability to combat natural<br />

alienation. In <strong>the</strong> same way, he calls 'feminine' all those<br />

characteristics which submit to that alienation. Thus he makes<br />

woman into <strong>the</strong> symbol <strong>of</strong> his own dependence, and in addition,<br />

<strong>the</strong> fur<strong>the</strong>r he dissociates himself from her, <strong>the</strong> more he feels he<br />

is his own master; he creates two definitions, femininity and<br />

<strong>virility</strong>, which exacerbate <strong>the</strong> anatomical differences, increase<br />

women's dependence and concentrate everything that seems to<br />

represent human strength in himself.<br />

Man seeks to rid himself <strong>of</strong> <strong>the</strong> 'rib' which he parts with<br />

symbolically: while he cultivates all that he defines as 'virile', he<br />

does his best to reject what he calls 'feminine'. He wants to be<br />

strength, rationality and transcendence, whereas woman is<br />

weakness, irrationality and immanence. At one fell swoop he<br />

imposes 'femininity' on woman and is determined for his part, to<br />

be virile, and to differentiate himself clearly from her. He<br />

searches out and prizes <strong>the</strong> slightest details which distinguish<br />

males from females; so, body-hair, beard and penis become<br />

images <strong>of</strong> strength and symbols <strong>of</strong> power.<br />

As for penis and testicles, <strong>the</strong>y are <strong>the</strong> very criteria on which<br />

belonging to <strong>the</strong> man class depends. They assume paramount<br />

importance. Body-hair and beard denote <strong>virility</strong> and its first<br />

appearance. In adolescence man rushes to buy a razor; until he<br />

has ravaged his face with its blade, he is not really a man. As<br />

soon as a light down appears he starts to shave, especially as it<br />

is well known that <strong>the</strong> more hairs are cut, <strong>the</strong> faster and thicker<br />

<strong>the</strong>y grow. To be beardless is no trifle ―it evokes <strong>the</strong> innocence<br />

<strong>of</strong> childhood, or even worse, femininity. Of uncertain <strong>virility</strong>, a<br />

man without a beard is <strong>the</strong>refore not to be trusted. Fur<strong>the</strong>rmore,<br />

it is an insult which always has its adherents; Juan Perοn, a<br />

short time before his death, jeered: 'beardless, mercenary<br />

idiots'.<br />

[Man and his body /18]<br />

But <strong>the</strong> beard is not sufficient; to be a man you must sport <strong>the</strong><br />

insignia <strong>of</strong> power on your arms, legs, armpits and pubis as early<br />

as possible. Beach, swimming pool and shower can thus<br />

become such a nightmare for <strong>the</strong> adolescent whose virginal

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