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emmanuel reynaud holy virility the social construction of masculinity

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definition. But he does not usually find himself as a transvestite,<br />

as it is not in to himself, physically male, that he looks; all he<br />

does is try and imitate. Dazzled by 'woman', fascinated by<br />

femininity, he yearns to have those breasts, that vulva and that<br />

womb which he sees as symbols <strong>of</strong> <strong>the</strong> life, <strong>the</strong> beauty and <strong>the</strong><br />

sensuality that he does not see in himself.<br />

When man feels ill at ease in his masculine body, which he does<br />

not always want to sacrifice on <strong>the</strong> altar <strong>of</strong> virile glory, it rarely<br />

occurs to him that he can discover life and beauty, fragility and<br />

sensuality in his own body. He generally prefers to try, as if by<br />

magic, to make it sensual by copying a female stereotype.<br />

Man struggles within his body, he seeks to free himself from it,<br />

but he generally gets his priorities wrong. It is not through<br />

fragmenting it or mutilating it that he will become independent<br />

and feel good in himself, but by accepting it as it is. Whe<strong>the</strong>r he<br />

wants it or not, his body is no more that tool which he tries to<br />

make into an instrument <strong>of</strong> power than <strong>the</strong> flesh which he tries<br />

to render attractive beneath a feminine appearance: it is simply<br />

an integral part <strong>of</strong> himself.<br />

[30 / Holy <strong>virility</strong>]<br />

It is not through <strong>the</strong> symbols <strong>of</strong> femininity that man will regain<br />

his integrity, his lost 'rib'. On <strong>the</strong> contrary, his freedom and <strong>the</strong><br />

diversity <strong>of</strong> his pleasures begin beyond <strong>the</strong> sexual dichotomy:<br />

an unshaven face no longer has anything masculine about it, it<br />

can simply be <strong>the</strong> desire not to irritate <strong>the</strong> cheeks with a razor<br />

blade too <strong>of</strong>ten; a skirt no longer has anything feminine about it<br />

because it is pleasant to feel your legs free under <strong>the</strong> material,<br />

or because you enjoy, on a summer evening, to feel <strong>the</strong> warm<br />

air between <strong>the</strong> thighs. Anything is possible outside <strong>the</strong><br />

definitions 'masculine' and 'feminine', and it is highly likely that<br />

<strong>the</strong> obsessive desire for <strong>the</strong> female body, be it to appropriate it<br />

or to imitate it, would no longer weigh on <strong>the</strong> male who could<br />

glimpse <strong>the</strong> potential <strong>of</strong> his own body when released from<br />

confinement in a sex category.

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