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emmanuel reynaud holy virility the social construction of masculinity

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is controlled and chosen. A prostitute gives this description <strong>of</strong><br />

male masochism:<br />

«My masochist clients are ra<strong>the</strong>r special. They are usually<br />

men who are educated, who've got money and have some<br />

pretty unbelievable vices. They want us to beat <strong>the</strong>m, or<br />

crush cigarettes out on <strong>the</strong>ir nipples, stick pins in <strong>the</strong>ir<br />

penises, drag <strong>the</strong>m round <strong>the</strong> room by a string tied round<br />

<strong>the</strong> tip <strong>of</strong> <strong>the</strong>ir tongue, defecate over <strong>the</strong>ir mouths, insult<br />

<strong>the</strong>m. And <strong>the</strong>y reply: 'yes mistress', 'all right mistress'... I<br />

am <strong>of</strong>ten dressed in black. I never smile. I even wear black<br />

glasses, sometimes. I must wear high-heels. It's very<br />

important. At home I have all <strong>the</strong> paraphernalia: whips,<br />

chains, dildos, handcuffs . . . Slaps, insults, strokes <strong>of</strong> <strong>the</strong><br />

cat o'nine tails or <strong>the</strong> whip cost a hundred quid. The whole<br />

show, sodomy, etc., costs double. That's a hell <strong>of</strong> a lot <strong>of</strong><br />

money. The longest it lasts is half an hour, sometimes a<br />

little more, up to an hour. In that case, <strong>the</strong> bloke leaves<br />

completely knackered, it'll take him a month to get over his<br />

injuries. The punters are really hurt, <strong>the</strong>y have to heal<br />

afterwards. We can't pretend to hurt <strong>the</strong>m, it has to be real.<br />

Especially when we stick pins into <strong>the</strong>ir penises, <strong>the</strong>y bleed<br />

a lot because when <strong>the</strong>y come all <strong>the</strong> blood rises, and when<br />

you take out <strong>the</strong> pins, it all gushes out. For this operation<br />

you have to pull <strong>the</strong> skin taut with elastic hands so as not<br />

catch any skin, stretch it well. and <strong>the</strong>n stick <strong>the</strong> pins in.<br />

While you're doing this <strong>the</strong>y don't cry out, <strong>the</strong>y moan.<br />

<strong>the</strong>y're getting a kick out <strong>of</strong> it.»<br />

[Man and sexuality / 47]<br />

(Claude Jaget, Une Vie de putain. Paris, Les Presses<br />

d'aujourd'hui, 1975)<br />

Man tends to experience <strong>the</strong> intensity <strong>of</strong> his pleasure more <strong>of</strong>ten<br />

through his own violence. When he gives in to his desires he<br />

generally feels <strong>the</strong> urge to rape or be brutal. He satisfies <strong>the</strong>se<br />

wishes on a large scale during war. Not content with killing each<br />

o<strong>the</strong>r, soldiers are prepared to do anything for amusement<br />

including pillage and rape. Susan Brownmiller cites <strong>the</strong> most<br />

atrocious example <strong>of</strong> brutality during <strong>the</strong> last few years:<br />

Bangladesh, where, in 1971, Pakistani soldiers raped between<br />

two and four hundred thousand women during <strong>the</strong>ir ninemonth<br />

campaign. [4]<br />

However, man does not confine himself to <strong>the</strong> opportunities<br />

provided by war. He sometimes expresses his pleasure in rape<br />

and violence in his daily life. And even if he does not always<br />

commit rape, it is none<strong>the</strong>less frequently on his mind: he<br />

fantasises about it, and goes to see it portrayed at <strong>the</strong> cinema. It<br />

represents something beyond <strong>the</strong> commodity relationship<br />

codified by marriage or prostitution: it is <strong>the</strong> appropriation <strong>of</strong> a<br />

woman without having to give her anything in return. It enables<br />

him to satisfy his desires without giving up his power. It is <strong>the</strong><br />

very expression <strong>of</strong> that power.

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