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Anna Karenina - LimpidSoft

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PART TWO CHAPTER 34<br />

“Well, let us go, then,” said Kitty, turning round resolutely. “How are you feeling<br />

today?” she asked Petrov.<br />

Petrov got up, leaning on his stick, and looked shyly at the prince.<br />

“This is my daughter,” said the prince. “Let me introduce myself.”<br />

The painter bowed and smiled, showing his strangely dazzling white teeth.<br />

“We expected you yesterday, princess,” he said to Kitty. He staggered as he said<br />

this, and then repeated the motion, trying to make it seem as if it had been intentional.<br />

“I meant to come, but Varenka said that <strong>Anna</strong> Pavlovna sent word you were not<br />

going.”<br />

“Not going!” said Petrov, blushing, and immediately beginning to cough, and his<br />

eyes sought his wife. “Anita! Anita!” he said loudly, and the swollen veins stood<br />

out like cords on his thin white neck.<br />

<strong>Anna</strong> Pavlovna came up.<br />

“So you sent word to the princess that we weren’t going!” he whispered to her<br />

angrily, losing his voice.<br />

“Good morning, princess,” said <strong>Anna</strong> Pavlovna, with an assumed smile utterly<br />

unlike her former manner. “Very glad to make your acquaintance,” she said to the<br />

prince. “You’ve long been expected, prince.”<br />

“What did you send word to the princess that we weren’t going for?” the artist<br />

whispered hoarsely once more, still more angrily, obviously exasperated that his<br />

voice failed him so that he could not give his words the expression he would have<br />

liked to.<br />

“Oh, mercy on us! I thought we weren’t going,” his wife answered crossly.<br />

“What, when....” He coughed and waved his hand. The prince took off his hat and<br />

moved away with his daughter.<br />

“Ah! ah!” he sighed deeply. “Oh, poor things!”<br />

“Yes, papa,” answered Kitty. “And you must know they’ve three children, no<br />

servant, and scarcely any means. He gets something from the Academy,” she went<br />

on briskly, trying to drown the distress that the queer change in <strong>Anna</strong> Pavlovna’s<br />

manner to her had aroused in her.<br />

“Oh, here’s Madame Stahl,” said Kitty, indicating an invalid carriage, where,<br />

propped on pillows, something in gray and blue was lying under a sunshade. This<br />

was Madame Stahl. Behind her stood the gloomy, healthy-looking German workman<br />

who pushed the carriage. Close by was standing a flaxen-headed Swedish<br />

count, whom Kitty knew by name. Several invalids were lingering near the low<br />

carriage, staring at the lady as though she were some curiosity.<br />

The prince went up to her, and Kitty detected that disconcerting gleam of irony<br />

in his eyes. He went up to Madame Stahl, and addressed her with extreme courtesy<br />

and affability in that excellent French that so few speak nowadays.<br />

“I don’t know if you remember me, but I must recall myself to thank you for your<br />

kindness to my daughter,” he said, taking off his hat and not putting it on again.<br />

217

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