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Anna Karenina - LimpidSoft

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PART FIVE CHAPTER 33<br />

Vronsky had not yet seen <strong>Anna</strong>. He purposely avoided looking in her direction.<br />

But he knew by the direction of people’s eyes where she was. He looked round discreetly,<br />

but he was not seeking her; expecting the worst, his eyes sought for Alexey<br />

Alexandrovitch. To his relief Alexey Alexandrovitch was not in the theater that<br />

evening.<br />

“How little of the military man there is left in you!” Serpuhovskoy was saying to<br />

him. “A diplomat, an artist, something of that sort, one would say.”<br />

“Yes, it was like going back home when I put on a black coat,” answered Vronsky,<br />

smiling and slowly taking out his opera glass.<br />

“Well, I’ll own I envy you there. When I come back from abroad and put on this,”<br />

he touched his epaulets, “I regret my freedom.”<br />

Serpuhovskoy had long given up all hope of Vronsky’s career, but he liked him as<br />

before, and was now particularly cordial to him.<br />

“What a pity you were not in time for the first act!”<br />

Vronsky, listening with one ear, moved his opera glass from the stalls and scanned<br />

the boxes. Near a lady in a turban and a bald old man, who seemed to wave angrily<br />

in the moving opera glass, Vronsky suddenly caught sight of <strong>Anna</strong>’s head, proud,<br />

strikingly beautiful, and smiling in the frame of lace. She was in the fifth box, twenty<br />

paces from him. She was sitting in front, and slightly turning, was saying something<br />

to Yashvin. The setting of her head on her handsome, broad shoulders, and the<br />

restrained excitement and brilliance of her eyes and her whole face reminded him of<br />

her just as he had seen her at the ball in Moscow. But he felt utterly different towards<br />

her beauty now. In his feeling for her now there was no element of mystery, and so<br />

her beauty, though it attracted him even more intensely than before, gave him now<br />

a sense of injury. She was not looking in his direction, but Vronsky felt that she had<br />

seen him already.<br />

When Vronsky turned the opera glass again in that direction, he noticed that<br />

Princess Varvara was particularly red, and kept laughing unnaturally and looking<br />

round at the next box. <strong>Anna</strong>, folding her fan and tapping it on the red velvet, was<br />

gazing away and did not see, and obviously did not wish to see, what was taking<br />

place in the next box. Yashvin’s face wore the expression which was common when<br />

he was losing at cards. Scowling, he sucked the left end of his mustache further and<br />

further into his mouth, and cast sidelong glances at the next box.<br />

In that box on the left were the Kartasovs. Vronsky knew them, and knew that<br />

<strong>Anna</strong> was acquainted with them. Madame Kartasova, a thin little woman, was<br />

standing up in her box, and, her back turned upon <strong>Anna</strong>, she was putting on a<br />

mantle that her husband was holding for her. Her face was pale and angry, and she<br />

was talking excitedly. Kartasov, a fat, bald man, was continually looking round at<br />

<strong>Anna</strong>, while he attempted to soothe his wife. When the wife had gone out, the husband<br />

lingered a long while, and tried to catch <strong>Anna</strong>’s eye, obviously anxious to bow<br />

to her. But <strong>Anna</strong>, with unmistakable intention, avoided noticing him, and talked to<br />

Yashvin, whose cropped head was bent down to her. Kartasov went out without<br />

making his salutation, and the box was left empty.<br />

Vronsky could not understand exactly what had passed between the Kartasovs<br />

and <strong>Anna</strong>, but he saw that something humiliating for <strong>Anna</strong> had happened. He knew<br />

505

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