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Anna Karenina - LimpidSoft

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PART FIVE CHAPTER 3<br />

A<br />

Chapter 3<br />

crowd of people, principally women, was thronging round the church lighted<br />

up for the wedding. Those who had not succeeded in getting into the main entrance<br />

were crowding about the windows, pushing, wrangling, and peeping through<br />

the gratings.<br />

More than twenty carriages had already been drawn up in ranks along the street<br />

by the police. A police officer, regardless of the frost, stood at the entrance, gorgeous<br />

in his uniform. More carriages were continually driving up, and ladies wearing<br />

flowers and carrying their trains, and men taking off their helmets or black hats kept<br />

walking into the church. Inside the church both lusters were already lighted, and all<br />

the candles before the holy pictures. The gilt on the red ground of the holy picturestand,<br />

and the gilt relief on the pictures, and the silver of the lusters and candlesticks,<br />

and the stones of the floor, and the rugs, and the banners above in the choir, and the<br />

steps of the altar, and the old blackened books, and the cassocks and surplices–all<br />

were flooded with light. On the right side of the warm church, in the crowd of frock<br />

coats and white ties, uniforms and broadcloth, velvet, satin, hair and flowers, bare<br />

shoulders and arms and long gloves, there was discreet but lively conversation that<br />

echoed strangely in the high cupola. Every time there was heard the creak of the<br />

opened door the conversation in the crowd died away, and everybody looked round<br />

expecting to see the bride and bridegroom come in. But the door had opened more<br />

than ten times, and each time it was either a belated guest or guests, who joined<br />

the circle of the invited on the right, or a spectator, who had eluded or softened the<br />

police officer, and went to join the crowd of outsiders on the left. Both the guests and<br />

the outside public had by now passed through all the phases of anticipation.<br />

At first they imagined that the bride and bridegroom would arrive immediately,<br />

and attached no importance at all to their being late. Then they began to look more<br />

and more often towards the door, and to talk of whether anything could have happened.<br />

Then the long delay began to be positively discomforting, and relations and<br />

guests tried to look as if they were not thinking of the bridegroom but were engrossed<br />

in conversation.<br />

The head deacon, as though to remind them of the value of his time, coughed impatiently,<br />

making the window-panes quiver in their frames. In the choir the bored<br />

choristers could be heard trying their voices and blowing their noses. The priest<br />

was continually sending first the beadle and then the deacon to find out whether the<br />

bridegroom had not come, more and more often he went himself, in a lilac vestment<br />

and an embroidered sash, to the side door, expecting to see the bridegroom. At last<br />

one of the ladies, glancing at her watch, said, “It really is strange, though!” and all<br />

the guests became uneasy and began loudly expressing their wonder and dissatisfaction.<br />

One of the bridegroom’s best men went to find out what had happened.<br />

Kitty meanwhile had long ago been quite ready, and in her white dress and long<br />

veil and wreath of orange blossoms she was standing in the drawing-room of the<br />

Shtcherbatskys’ house with her sister, Madame Lvova, who was her bridal-mother.<br />

She was looking out of the window, and had been for over half an hour anxiously<br />

expecting to hear from the best man that her bridegroom was at the church.<br />

Levin meanwhile, in his trousers, but without his coat and waistcoat, was walking<br />

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