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Anna Karenina - LimpidSoft

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PART SIX CHAPTER 22<br />

organized and maintained by the care of the master of the house himself. It was evident<br />

that it all rested no more upon <strong>Anna</strong> than upon Veslovsky. She, Sviazhsky, the<br />

princess, and Veslovsky, were equally guests, with light hearts enjoying what had<br />

been arranged for them.<br />

<strong>Anna</strong> was the hostess only in conducting the conversation. The conversation was<br />

a difficult one for the lady of the house at a small table with persons present, like<br />

the steward and the architect, belonging to a completely different world, struggling<br />

not to be overawed by an elegance to which they were unaccustomed, and unable<br />

to sustain a large share in the general conversation. But this difficult conversation<br />

<strong>Anna</strong> directed with her usual tact and naturalness, and indeed she did so with actual<br />

enjoyment, as Darya Alexandrovna observed. The conversation began about the<br />

row Tushkevitch and Veslovsky had taken alone together in the boat, and Tushkevitch<br />

began describing the last boat races in Petersburg at the Yacht Club. But <strong>Anna</strong>,<br />

seizing the first pause, at once turned to the architect to draw him out of his silence.<br />

“Nikolay Ivanitch was struck,” she said, meaning Sviazhsky, “at the progress the<br />

new building had made since he was here last; but I am there every day, and every<br />

day I wonder at the rate at which it grows.”<br />

“It’s first-rate working with his excellency,” said the architect with a smile (he<br />

was respectful and composed, though with a sense of his own dignity). “It’s a very<br />

different matter to have to do with the district authorities. Where one would have to<br />

write out sheaves of papers, here I call upon the count, and in three words we settle<br />

the business.”<br />

“The American way of doing business,” said Sviazhsky, with a smile.<br />

“Yes, there they build in a rational fashion...”<br />

The conversation passed to the misuse of political power in the United States, but<br />

<strong>Anna</strong> quickly brought it round to another topic, so as to draw the steward into talk.<br />

“Have you ever seen a reaping machine?” she said, addressing Darya Alexandrovna.<br />

“We had just ridden over to look at one when we met. It’s the first time I<br />

ever saw one.”<br />

“How do they work?” asked Dolly.<br />

“Exactly like little scissors. A plank and a lot of little scissors. Like this.”<br />

<strong>Anna</strong> took a knife and fork in her beautiful white hands covered with rings, and<br />

began showing how the machine worked. It was clear that she saw nothing would<br />

be understood from her explanation; but aware that her talk was pleasant and her<br />

hands beautiful she went on explaining.<br />

“More like little penknives,” Veslovsky said playfully, never taking his eyes off<br />

her.<br />

<strong>Anna</strong> gave a just perceptible smile, but made no answer. “Isn’t it true, Karl Fedoritch,<br />

that it’s just like little scissors?” she said to the steward.<br />

“Oh, ja,” answered the German. “Es it ein ganz einfaches Ding,” and he began to<br />

explain the construction of the machine.<br />

“It’s a pity it doesn’t bind too. I saw one at the Vienna exhibition, which binds<br />

with a wire,” said Sviazhsky. “They would be more profitable in use.”<br />

580

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