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Anna Karenina - LimpidSoft

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PART SIX CHAPTER 20<br />

The ladies put up their parasols and turned into the side path. After going down<br />

several turnings, and going through a little gate, Darya Alexandrovna saw standing<br />

on rising ground before her a large pretentious-looking red building, almost finished.<br />

The iron roof, which was not yet painted, shone with dazzling brightness in<br />

the sunshine. Beside the finished building another had been begun, surrounded by<br />

scaffolding. Workmen in aprons, standing on scaffolds, were laying bricks, pouring<br />

mortar out of vats, and smoothing it with trowels.<br />

“How quickly work gets done with you!” said Sviazhsky. “When I was here last<br />

time the roof was not on.”<br />

“By the autumn it will all be ready. Inside almost everything is done,” said <strong>Anna</strong>.<br />

“And what’s this new building?”<br />

“That’s the house for the doctor and the dispensary,” answered Vronsky, seeing the<br />

architect in a short jacket coming towards him; and excusing himself to the ladies,<br />

he went to meet him.<br />

Going round a hole where the workmen were slaking lime, he stood still with the<br />

architect and began talking rather warmly.<br />

“The front is still too low,” he said to <strong>Anna</strong>, who had asked what was the matter.<br />

“I said the foundation ought to be raised,” said <strong>Anna</strong>.<br />

“Yes, of course it would have been much better, <strong>Anna</strong> Arkadyevna,” said the architect,<br />

“but now it’s too late.”<br />

“Yes, I take a great interest in it,” <strong>Anna</strong> answered Sviazhsky, who was expressing<br />

his surprise at her knowledge of architecture. “This new building ought to have<br />

been in harmony with the hospital. It was an afterthought, and was begun without<br />

a plan.”<br />

Vronsky, having finished his talk with the architect, joined the ladies, and led them<br />

inside the hospital.<br />

Although they were still at work on the cornices outside and were painting on the<br />

ground floor, upstairs almost all the rooms were finished. Going up the broad castiron<br />

staircase to the landing, they walked into the first large room. The walls were<br />

stuccoed to look like marble, the huge plate-glass windows were already in, only the<br />

parquet floor was not yet finished, and the carpenters, who were planing a block of<br />

it, left their work, taking off the bands that fastened their hair, to greet the gentry.<br />

“This is the reception room,” said Vronsky. “Here there will be a desk, tables, and<br />

benches, and nothing more.”<br />

“This way; let us go in here. Don’t go near the window,” said <strong>Anna</strong>, trying the<br />

paint to see if it were dry. “Alexey, the paint’s dry already,” she added.<br />

From the reception room they went into the corridor. Here Vronsky showed them<br />

the mechanism for ventilation on a novel system. Then he showed them marble<br />

baths, and beds with extraordinary springs. Then he showed them the wards one<br />

after another, the storeroom, the linen room, then the heating stove of a new pattern,<br />

then the trolleys, which would make no noise as they carried everything needed<br />

along the corridors, and many other things. Sviazhsky, as a connoisseur in the latest<br />

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