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Anna Karenina - LimpidSoft

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PART SIX CHAPTER 17<br />

on her rich relations, but that she should now be sponging on Vronsky, a man who<br />

was nothing to her, mortified Dolly on account of her kinship with her husband.<br />

<strong>Anna</strong> noticed Dolly’s expression, and was disconcerted by it. She blushed, dropped<br />

her riding habit, and stumbled over it.<br />

Darya Alexandrovna went up to the char-à -banc and coldly greeted Princess Varvara.<br />

Sviazhsky too she knew. He inquired how his queer friend with the young<br />

wife was, and running his eyes over the ill-matched horses and the carriage with<br />

its patched mud-guards, proposed to the ladies that they should get into the char-à<br />

-banc.<br />

“And I’ll get into this vehicle,” he said. “The horse is quiet, and the princess drives<br />

capitally.”<br />

“No, stay as you were,” said <strong>Anna</strong>, coming up, “and we’ll go in the carriage,” and<br />

taking Dolly’s arm, she drew her away.<br />

Darya Alexandrovna’s eyes were fairly dazzled by the elegant carriage of a pattern<br />

she had never seen before, the splendid horses, and the elegant and gorgeous people<br />

surrounding her. But what struck her most of all was the change that had taken<br />

place in <strong>Anna</strong>, whom she knew so well and loved. Any other woman, a less close<br />

observer, not knowing <strong>Anna</strong> before, or not having thought as Darya Alexandrovna<br />

had been thinking on the road, would not have noticed anything special in <strong>Anna</strong>.<br />

But now Dolly was struck by that temporary beauty, which is only found in women<br />

during the moments of love, and which she saw now in <strong>Anna</strong>’s face. Everything<br />

in her face, the clearly marked dimples in her cheeks and chin, the line of her lips,<br />

the smile which, as it were, fluttered about her face, the brilliance of her eyes, the<br />

grace and rapidity of her movements, the fulness of the notes of her voice, even the<br />

manner in which, with a sort of angry friendliness, she answered Veslovsky when<br />

he asked permission to get on her cob, so as to teach it to gallop with the right leg<br />

foremost–it was all peculiarly fascinating, and it seemed as if she were herself aware<br />

of it, and rejoicing in it.<br />

When both the women were seated in the carriage, a sudden embarrassment came<br />

over both of them. <strong>Anna</strong> was disconcerted by the intent look of inquiry Dolly fixed<br />

upon her. Dolly was embarrassed because after Sviazhsky’s phrase about “this vehicle,”<br />

she could not help feeling ashamed of the dirty old carriage in which <strong>Anna</strong><br />

was sitting with her. The coachman Philip and the counting house clerk were experiencing<br />

the same sensation. The counting house clerk, to conceal his confusion,<br />

busied himself settling the ladies, but Philip the coachman became sullen, and was<br />

bracing himself not to be overawed in future by this external superiority. He smiled<br />

ironically, looking at the raven horse, and was already deciding in his own mind that<br />

this smart trotter in the char-à -banc was only good for promenade, and wouldn’t do<br />

thirty miles straight off in the heat.<br />

The peasants had all got up from the cart and were inquisitively and mirthfully<br />

staring at the meeting of the friends, making their comments on it.<br />

“They’re pleased, too; haven’t seen each other for a long while,” said the curlyheaded<br />

old man with the bast round his hair.<br />

“I say, Uncle Gerasim, if we could take that raven horse now, to cart the corn, that<br />

‘ud be quick work!”<br />

563

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