YalTa: CriMea's PreMiere resorT
YalTa: CriMea's PreMiere resorT
YalTa: CriMea's PreMiere resorT
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Фото / Photo: dreamstime.com<br />
The Uspensky Cathedral, belltower and other<br />
buildings of the Pochayivska Lavra stand atop a hill in<br />
Ukraine’s western Ternopil region, an area rich in history and<br />
long a crossroads for many cultures. A feeling found perhaps<br />
only in Pochayiv is that of the mystery which emanates from<br />
buildings erected to pay devotion to a higher power. A clerical<br />
legend says that St. Mary, the Mother of God, once revealed<br />
herself on Pochayiv Hill in the 13th century and left her right<br />
footprint in the moist soil, giving rise to a spring in that very<br />
place. Each year thousands make the pilgrimage to Pochayiv,<br />
believing the Lavra’s divine waters can soothe and heal afflictions<br />
of the body and mind.<br />
The approaches to the town of Pochayiv are flanked by endless<br />
green fields in summer or frozen, snow-clad plains in winter.<br />
The sacred hill and golden domes of the Lavra mark the spiritual<br />
heart of the local people and give a glimpse of a life lived in long<br />
past. For centuries the history of this unique Orthodox shrine<br />
has been recorded and its symbolism revered through prayer and<br />
noble Christian sacrifice.<br />
Поднявшись на вершину холма, где расположилась лавра,<br />
ощущаешь близость неба! На Тернопольщине, в Западной<br />
Украине, немало возвышенностей и строений<br />
разных веков, связанных с мирскими и церковными реалиями.<br />
Почему же возникает ощущение особого величия этого места?<br />
Церковное предание гласит, что на Почаевской горе в ХШ веке<br />
явилась Божья Матерь и оставила на влажной земле отпечаток<br />
своей правой стопы. На этом месте тут же забил святой источник,<br />
исцеливший тысячи больных людей.<br />
При подъезде к Почаеву меж бескрайних зеленых полей или<br />
зимой среди стылой равнины взору вдруг открывается Святая<br />
гора с золочеными куполами, словно мираж легендарного<br />
града Китежа. Здесь зримо ощущается, как началась и продолжает<br />
укрепляться в молитвах и наяву многовековая захватывающая<br />
история православного святого места.<br />
Согласно легенде, около 1240 года в скитах и пещерах Святой<br />
горы обосновались иноки Киево-Печерской лавры, которые вынуждены<br />
были искать здесь убежище от татарского нашествия.<br />
Выбрать пристанищем именно это место помогло знамение.<br />
Пресвятая Богородица в огненном столпе внезапно предстала<br />
на вершине горы перед двумя иноками и пастухом по имени<br />
Иосиф и оставила на земле свой видимый и по сию пору след.<br />
Сейчас на этом месте возвышается величественный Успенский<br />
собор, построенный в ХVIII веке. В его центре в раке, подобной<br />
алтарю, – мироточащий след святой стопы. На алтарной<br />
стене – изображение Матери Божией в огненном столпе. Святой<br />
источник под ажурным куполом находится вне пределов<br />
храма. К нему никогда не редеет поток верующих и туристов.<br />
Иконостас Успенского собора выполнен академиком Нестеровым.<br />
В нем тридцать две иконы, написанные лучшими<br />
российскими живописцами: Лавровым, Горбуновым и Васи-<br />
premier<br />
landmark<br />
38<br />
According to legend a group of monks from the Kyiv Pecherska<br />
Lavra came to Pochayiv to settle the area in 1240 following the<br />
Mongol invasion of Kyiv. St. Mary suddenly appeared atop the hill<br />
to two monks and a local peasant named Josef, and so it was on<br />
this land that the Pochayivska Lavra churches now stand.<br />
Today the Assumption Cathedral of the 18th century anchors the<br />
Lavra grounds, and inside is the sacred footprint, surrounded by<br />
an artist’s rendering of the holy fire that emanated from St. Mary<br />
when she appeared before the monks. The sacred spring is now<br />
covered by a beautiful cupola and is a popular site for many.<br />
The altar of the Assumption Cathedral, made by the Russian<br />
academician Nesterov, includes thirty-two icons painted by<br />
skilled Russian painters Lavrov, Gorbunov and Vasiliev. Russian<br />
Tsars Nicholas I and Alexander II used to visit and pray at this<br />
beautiful cathedral, kneeling before the famous icons.<br />
The icon of St. Mary was painted in ancient Constantinople (today’s<br />
Istanbul) and later brought to what is now Ternopil region by the<br />
Greek bishop Neophyte in 1559. As the bishop travelled around the<br />
area he was welcomed to stay for a night at the home of a devout<br />
noble woman named Anna Goiska, famous for her charitable<br />
works and support for travellers. Deeply impressed with Goiska’s<br />
strong Christian beliefs and by her family’s tragedy (Goiska’s brother<br />
was born blind), Neophyte decided to leave his ancient icon<br />
with Anna. As legend goes her payers before the icon produced<br />
a miracle, as her brother eventually regained his sight. The family<br />
decided that such a miraculous icon must belong to all people, so<br />
they donated it to the monks. Goiska herself did considerable work<br />
to facilitate the construction of the monastery and also donated<br />
vast plots of land to the monastery in 1597. By the end of the 16th<br />
century, the Lavra took on a new look, with believers the world<br />
over coming to worship before this miraculous icon also.<br />
Throughout history there has been but one attempt to steal the<br />
icon of Pochayiv, and not only was the icon returned, but its<br />
thieves also punished. In 1623 a group of armed servants of Ferlei,<br />
a reckless relation of the noble Goiskas, stole the miraculous<br />
icon from the monastery and took it to his mansion. There he<br />
and his wife gathered a large audience of locals to view and mock<br />
the Pochayiv icon. But upon viewing it, Ferlei’s wife took ill and<br />
was instantly paralysed. Ferlei nearly went out of his mind with<br />
38<br />
Summer ‘10