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THE GREATEST DIRECT MAIL SALES LETTERS OF ALL TIME<br />

When analyzing successful mailings of the past, try to get a feel for what works and what<br />

doesn't. Be sure to pay special attention to mailings that didn't work. See if you can spot what's<br />

really different between successful mailings and those that failed.<br />

One of the problems with reusing old copy is having a boss who believes a copywriter is not earning<br />

his or her keep if every word isn't new. But smarter bosses recognize one of the qualities of a<br />

good copywriter is the willingness to utilize tried and proved copy regardless of who originally<br />

put the words together. David Ogilvy once said, "One of the greatest wastes in advertising is to<br />

do away with copy which is still working." And it's important to remember the often repeated<br />

truism that when you start getting bored with an advertising message, that's about when the<br />

audience starts to notice it.<br />

GATHER THE FACTS<br />

By putting together all of the information you need before you begin writing, studying it thoroughly,<br />

and fixing the key points in your mind, you can concentrate on the writing itself. Good<br />

direct mail copy has a flow, and this can be broken if you have to stop to seek out the facts you<br />

need. I've made it a regular practice to develop "copywriter's packets" that provide ready reference<br />

on all the products and services I've dealt with. You'll find an outline of the ideal contents of<br />

a copywriter's packet on pages 20-22.<br />

KEY PARAGRAPHS<br />

Once the copywriter is familiar with all the facts and has studied them thoroughly, it's best to<br />

write a series of paragraphs — one about each of the things that must be included in the promotional<br />

package. This should be done without any particular thought as to where the information<br />

will appear. Next, the paragraphs should be arranged in a logical story-telling sequence. This will<br />

quickly show what is missing, what is redundant, what needs special emphasis, and what must<br />

be illustrated.<br />

These assembled paragraphs don't represent finished copy — they are just a starting point. The<br />

time spent writing them, however, is not wasted because this exercise helps the writer structure<br />

words in ways that communicate best. This same sequence of words can be used in the actual<br />

copywriting, giving the copywriter a chance to move ahead at a pace that maintains a good conversational<br />

flow.<br />

PLAIN PAPER DUMMY<br />

Most experienced direct mail copywriters also prepare a folded paper rough sketch, or dummy,<br />

of the format as they envision it. These dummies are not intended to be a professional design, only<br />

as a "road map" for effective copywriting. If the copywriter can visualize where things will<br />

appear, the end result will be better communication. Once the copy has been written, edited, and<br />

approved, this folded paper dummy will help the designer understand how the copywriter<br />

intended to have the copy used.<br />

THE STARTING POINT<br />

All this has been preliminary to actually writing the copy itself. But now it's time for action, and<br />

that always starts in just one place. If there's one absolute rule for direct mail copywriting, it is:<br />

always write the order form first! If the copywriter is not responsible for writing the order form,<br />

www.greatestsalesletters.com - 18 -

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