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Pobierz plik - Grundtvig

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they complained about the cold. They all keenly<br />

visited our Catholic churches; the Old Town with<br />

its colourful vendor houses proved so attractive<br />

that it became the most popular theme of pictures<br />

painted by the Lithuanian guests. They also fell for<br />

the local heritage park; the Lithuanians entered<br />

the huts, recognized utensils they knew from their<br />

country and were interested in the interior design.<br />

The Cypriot women were overwhelmed with nature,<br />

contemplating the ponds, slowly walking on<br />

the carpet of leaves on the park’s paths, taking a<br />

good look at bushes displayed against the wooden<br />

sculptures. They looked with great interest at<br />

the trees and the falling leaves. The architecture<br />

served as background for the pictures they took<br />

while trees were in the foreground. The ladies<br />

held in their hands colourful autumn leaves which<br />

were also the main motif of their paintings.<br />

The partners’ stay at Zielona Góra ended with<br />

an exhibition of pictures painted in open air.<br />

Valerija Tarabildien, a painter from Vilnius attending<br />

the meeting presented her extraordinary pictures<br />

recorded on DVD. Kazys Rimtas Tarabilda,<br />

her husband, a painter and teacher, wished that<br />

the fire started there kept burning.<br />

We could verify the truthfulness of this wish<br />

during the last meeting of the project held in May<br />

2007 in Lithuania. This was a moving visit during<br />

which the befriended groups met in a cordial atmosphere.<br />

The Dalia gallery offered an opportunity<br />

to visit an extremely interesting exhibition of<br />

works by senior citizens from Vilnius. We paid attention<br />

to the fact that they painted the beauty of<br />

their world with very bold strokes, often resulting<br />

in surprising colours, and freely resorting to various<br />

techniques. We were toured around by Valerij<br />

and Rimtas Tarabildo, two teachers from the Vilnius<br />

Design Teaching Centre, who we were already<br />

acquainted with from outdoor painting in Zielona<br />

Góra. The conference room was adorned with<br />

paintings – fruits of the painting sessions in Zielona<br />

Góra depicting the vintner’s house from the heritage<br />

park and the church in Chynów (a district<br />

in Zielona Góra). The hosts presented a most interesting<br />

agenda, suggesting visits to Lithuania’s<br />

three capitals: Kernavè, Trakai and Vilnius.<br />

Barbara (65), a learner attending the meeting,<br />

described her impressions: On the following day<br />

we were visiting the first Lithuanian capital - Kernavè.<br />

Before we reached it, we visited en route<br />

the Oak Forest in Dûkštas - a historic and natural<br />

monument. To some extent, it was an intellectual<br />

adventure, as always ensured by exposure to<br />

a different system of beliefs, an ancient religion<br />

and mentality of societies doomed to annihilation<br />

by foreign invaders centuries ago. (…) I was particularly<br />

interested in one sculpture: a figure of a<br />

woman entangled with tongues of fire which she<br />

pressed against her womb with a strong hand.<br />

When I asked about the goddess depicted in this<br />

sculpture, I heard about Babita, the goddess of<br />

fire”. (…) I could not get that Babita out of my<br />

head, tossing and turning almost all night long.<br />

The next day I painted with oil pastels a female<br />

figure emerging from a dark forest. We left the<br />

woods and took a coach trip to Kernavè, the first<br />

capital of Lithuania and the stronghold of prince<br />

Gediminas. Then we reached on foot high burial<br />

mounds on the banks of the Neris. I cherish that<br />

moment: we walk down these mounds, all the way<br />

down, to the river bank. I look at the river, seize a<br />

brush, facing a water colour sheet of paper. The<br />

90

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