Pobierz plik - Grundtvig
Pobierz plik - Grundtvig
Pobierz plik - Grundtvig
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they complained about the cold. They all keenly<br />
visited our Catholic churches; the Old Town with<br />
its colourful vendor houses proved so attractive<br />
that it became the most popular theme of pictures<br />
painted by the Lithuanian guests. They also fell for<br />
the local heritage park; the Lithuanians entered<br />
the huts, recognized utensils they knew from their<br />
country and were interested in the interior design.<br />
The Cypriot women were overwhelmed with nature,<br />
contemplating the ponds, slowly walking on<br />
the carpet of leaves on the park’s paths, taking a<br />
good look at bushes displayed against the wooden<br />
sculptures. They looked with great interest at<br />
the trees and the falling leaves. The architecture<br />
served as background for the pictures they took<br />
while trees were in the foreground. The ladies<br />
held in their hands colourful autumn leaves which<br />
were also the main motif of their paintings.<br />
The partners’ stay at Zielona Góra ended with<br />
an exhibition of pictures painted in open air.<br />
Valerija Tarabildien, a painter from Vilnius attending<br />
the meeting presented her extraordinary pictures<br />
recorded on DVD. Kazys Rimtas Tarabilda,<br />
her husband, a painter and teacher, wished that<br />
the fire started there kept burning.<br />
We could verify the truthfulness of this wish<br />
during the last meeting of the project held in May<br />
2007 in Lithuania. This was a moving visit during<br />
which the befriended groups met in a cordial atmosphere.<br />
The Dalia gallery offered an opportunity<br />
to visit an extremely interesting exhibition of<br />
works by senior citizens from Vilnius. We paid attention<br />
to the fact that they painted the beauty of<br />
their world with very bold strokes, often resulting<br />
in surprising colours, and freely resorting to various<br />
techniques. We were toured around by Valerij<br />
and Rimtas Tarabildo, two teachers from the Vilnius<br />
Design Teaching Centre, who we were already<br />
acquainted with from outdoor painting in Zielona<br />
Góra. The conference room was adorned with<br />
paintings – fruits of the painting sessions in Zielona<br />
Góra depicting the vintner’s house from the heritage<br />
park and the church in Chynów (a district<br />
in Zielona Góra). The hosts presented a most interesting<br />
agenda, suggesting visits to Lithuania’s<br />
three capitals: Kernavè, Trakai and Vilnius.<br />
Barbara (65), a learner attending the meeting,<br />
described her impressions: On the following day<br />
we were visiting the first Lithuanian capital - Kernavè.<br />
Before we reached it, we visited en route<br />
the Oak Forest in Dûkštas - a historic and natural<br />
monument. To some extent, it was an intellectual<br />
adventure, as always ensured by exposure to<br />
a different system of beliefs, an ancient religion<br />
and mentality of societies doomed to annihilation<br />
by foreign invaders centuries ago. (…) I was particularly<br />
interested in one sculpture: a figure of a<br />
woman entangled with tongues of fire which she<br />
pressed against her womb with a strong hand.<br />
When I asked about the goddess depicted in this<br />
sculpture, I heard about Babita, the goddess of<br />
fire”. (…) I could not get that Babita out of my<br />
head, tossing and turning almost all night long.<br />
The next day I painted with oil pastels a female<br />
figure emerging from a dark forest. We left the<br />
woods and took a coach trip to Kernavè, the first<br />
capital of Lithuania and the stronghold of prince<br />
Gediminas. Then we reached on foot high burial<br />
mounds on the banks of the Neris. I cherish that<br />
moment: we walk down these mounds, all the way<br />
down, to the river bank. I look at the river, seize a<br />
brush, facing a water colour sheet of paper. The<br />
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