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JOURNAL OF ARABIC AND ISLAMIC STUDIES

JOURNAL OF ARABIC AND ISLAMIC STUDIES

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JAIS<br />

Pavel Pavlovitch<br />

only those matns which exhibit a limited degree of structural instability,<br />

which may be attributed to the peculiarities of the transmission process,<br />

rather than to polygenesis. Larger narratives, which underwent an<br />

apparent process of fictionalization, will be compared with one another<br />

with the aim of removing later fictional accretions15 and, consequently,<br />

of distilling a meaningful narrative core. 16 This approach, albeit not<br />

conducive to restoring what might seem to be an early narrative perhaps<br />

going back to the first century AH or to the time of the Prophet, will<br />

allow me, to some extent, to avoid epistemological uncertainty while<br />

reconstructing the hypothetical CL versions from the versions of their<br />

PCLs. In my isnād-cum-matn analysis, I shall account for the following<br />

possible isnād configurations in their correlation with the matns:<br />

1. An isnād cluster in which only single strands branch from the key<br />

figure<br />

ONLINE<br />

(i.e. ‘a spider’ according Juynboll’s terminology). In this case I<br />

will follow Juynboll’s skeptical approach; the key figure is not a<br />

historically tenable CL but a seeming CL (SCL). The matns provided by<br />

the collectors sitting at the top of each spider leg may either concur or<br />

145<br />

15 Fictionalization does not necessarily preclude authenticity. Fictional elements<br />

may be attached to a non-fictional narrative that refers to actual facts. By<br />

introducing temporal or spatial indicators and grammatical delimiters, the narrator<br />

constructs a plot consisting of more or less easily identifiable sections of acting. In<br />

Islamic legal traditions, one notices distinct layers of fictionalization signalled by<br />

the introduction of details relating to specific locations, historical periods, actors<br />

and their emotional states and attitudes. In some cases, I will divide the tradition<br />

into consecutively numbered clauses that reflect either fictionalization or the nonfictional<br />

activity of linguistic elucidation and legal amendment. On fictionalization<br />

in the Islamic tradition, see Sebastian Günther, “Fictional Narration and<br />

Imagination within an Authoritative Framework: Towards a New Understanding of<br />

Ḥadīth,” in Story-Telling in the Framework of non-Fictional Arabic Literature, ed.<br />

Stefan Leder (Wiesbaden: Harrassowitz, 1998). Although he does not use the term<br />

‘fictionalization’, Schoeler, following Noth, also speaks of a process of<br />

modification or reshaping (‘Veränderungs-’ oder ‘Umgestaltungsprocess’) in the<br />

course of which topoi, bias and stylization affect the base narrative (Charakter und<br />

Authentie, 11–12, 166).<br />

16 The narrative deficiency of the reconstructed CL versions has been<br />

highlighted by Melchert, who points out that, “Motzki talks of identifying a kernel<br />

of historical truth, but if that is taken to be whatever element is common to his<br />

multiple versions, it seems to be normally so small as to be virtually worthless.”<br />

(Christopher Melchert, “The Early History of Islamic Law,” in Method and Theory<br />

in the Study of Islamic Origins, ed. Herbert Berg [Leiden and Boston: Brill, 2003],<br />

303).

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