Preamble Narratives and Social Memory - Universidade do Minho

Narratives of Death: Journalism and Figurations of Social MemoryBruno Souza Leal, Elton Antunes & Paulo Bernardo VazIt is impossible to know death, therefore, something else is told, something aboutlife. Once the event has gone, we attempt to understand it, “weave” it, by talking aboutsomething else, by producing other events from the demands and potentialities of signs andlanguages, from narratives and from the pragmatic conditions of a specific communicativeprocess. The realistic illusion that moves journalism is, therefore, a tension, an amalgambetween forgetfulness (the event, the conventions, what was said, the previous news mediaedition) and making see, remembrance (other events, other conventions, other talks, otherpublications), without knowing whether it will be a failed promise or an effective one.The double oblivion that emerges from the interaction between journalism andmemory is seen not only as a sign of the transformation of the news in an inescapabledocumentary record of the world, but also as an informative craving seeking to reach thedeath-event, as much as possible. Even in this case, not all deaths deserve to be reported.The reported ones are only those that portray a picture “of the world”, that “document” it andabout which, sometimes, a lot of attention and information is given, as if that could erase orminimize the possibility of forgetting the unremarkable deaths.The reports of “little deaths” suggest other relationships. Not a lot of information isoffered here, quite the opposite. The “ordinary” dead should be forgotten, because, on theone hand, there is not much to identify them and, on the other, they serve to remind andmake us forget that... we die. Their stories, as texts, as narratives, are also highly forgettable.After all, anonymous deaths “deserve” texts also intended, in their aesthetic and informativequality, to a past with no return.From this perspective, these “little deaths” could be narrowing the space of experienceand horizon of expectation, similar to what Barthes had already suggested in relation to faitdivers,as news that refers to nothing more than itself. The “little deaths”, however, are notonly fait-divers: sometimes they are more than that, sometimes less. In addition, to advocatethis narrowing would be to forget that these “small deaths” emerge daily, in the successiveissues of a newspaper. Unlike the famous deaths that would be unique, they repeat themselves.Furthermore, to consider them fait-divers, it would be necessary to consider suchnarratives as finished events enclosed in a past that is no more.Such aspect could, at the very best, give an account of journalistic events that reportdeath at the time it happens. But, as stated by Arquembourg-Moureau (2003), it must respondto a demand for meaning and intelligibility, for something written, and combine with thetime of recognition, consequently, of reception. In such news, not only is a retrospectiveof events at stake, but also a text that drives the narrative to an immeasurable process ofrepetition, renewal and circulation. If such narratives involve narrowing, they are subjectto the triple mimesis and circular process of pre-figuration, configuration and reconfigurationpresented by Ricoeur. This perspective places them in the rhythms and movements ofeveryday life that, although unpredictable, inevitably puts them in relation to other storiesof deaths, journalistically narrated or not.Remembering and forgetting, therefore, are the dynamics of each narrative as wellas of the general movement of meaning. Journalism does not remember some deaths andforgets others. Each death remembered in these snippets is also the forgetfulness of theNarratives and social memory: theoretical and methodological approaches116