Preamble Narratives and Social Memory - Universidade do Minho

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Criminal violence in Brazilian moving images in 2010Juliana Cunha CostaACTORSPolice OfficersPosition: 00:19:08 Position: 00:01:34Position: 00:19:09 Position: 00:00:10Criminal SuspectsPosition: 00:20:34Position: 00:00:34Position: 00:22:24Position: 00:04:28Dweller ResidentsPosition: 00:18:41Position: 00:00:37Narratives and social memory: theoretical and methodological approaches214
Criminal violence in Brazilian moving images in 2010Juliana Cunha CostaPoliticiansPosition: 00:18:59JournalistsPosition: 00:19:17 Position: 00:02:24The TV annual reviews show slums as a community of poor people, which accept theircurrent situation. The criminals are portrayed as devils of the society and must be exorcized.However the slum dwellers seem to be afraid of the violent confrontation between thepolice and criminal suspects. The TV annual reviews narratives strengthen that criminalsare the problem in the favelas and the police officers are there to bring back hope, peace,and security by completing their narrative with a happy-end, and the idea that “peace” and“security” has been brought back to favelas.Concerning narrative reports, in terms of non-fictional contents, it informs, educatesand entertains at the same time. However, this narrative is constructed by an individualinterpretation shaped by a personal belief of the reality (Berning, 2011). In Bourdieu (2012,p. 405)“[…] journalist can impose on the whole of society their vision of the world, theirconception of problems, and their point of view” (Bourdieu, 2012, p. 405).The reports perform like a substitute eye-witnesses in narrative reports by documentingevents and reconstructing a partisan view in their stories once the “[…] reality isconstituted by multiple layers; it can never be referred to in its entirety” (Berning, 2011, p.47). The narrative reports filter the reality on three different levels: by condensation andfragmentation of the reality and lastly through the author’s selection of the contents, thiscreates the ‘effect of reality’ since the “[…] reports can have recourse merely to what theyhave seen” (Berning, p. 46). Once “[…] images have the peculiar capacity to produce whatliterary critics call a reality effect. They show things and make people believe in what theyshow” (Bourdieu, 2012, p. 401).ConclusionsTelevision plays an essential role in the everyday life of Brazilian citizens and it isconsidered the main source of information and entertainment for the major part of thispopulation, moreover it is a powerful approach in creating and simulating possible realities.Narratives and social memory: theoretical and methodological approaches215
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© CECS 2013 All rights reservedThi
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Cinematic Landscape and Social Memo
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comprises both remembering and forg
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include important questions related
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Part ICognitive and Emotional Proce
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Narratives and Social Memory from t
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The Lay Historian: How Ordinary Peo
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Cabecinhas, R. & Abadia, L. (eds.)
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Emotional Processes in Elaborating
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Transitional Justice Processes, Sha
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The Past and the Present (re)Visite
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Part IIMedia(ted) Narrativesand Pub
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Hard News Cognitive Shift: from Fac
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Narratives of Death: Journalism and
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Researching Identity Narratives in
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Journalistic Narrative: a Story of
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The Works of Sísifo: Memories and
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Audiovisual Post-colonial Narrative
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Audiovisual Post-colonial Narrative
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Page 220 and 221: Part IVEthnic, National and Suprana
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Colonial Missions in the North Amer
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Part VSocietal Issues, Collective A
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Collective Mobilization and the Soc
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Narratives as Prison ‘Escapes’:
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Drawings and Narrative: the Inmates
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Comissões Unitárias de Mulheres d
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Adozinda Goes to the Feminine Readi
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Preamble Narratives and Social Memory - Universidade do Minho

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