Preamble Narratives and Social Memory - Universidade do Minho

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The Subject-Matter of Audiovisual Historical Fiction in Portugal (1909-2010)Eduardo Cintra Torres & Catarina Duff BurnayReferencesAlasuutari, P. (1999). Rethinking the Media Audiences. London: Sage.Appadurai, A. (2004). Dimensões Culturais da Globalização. A modernidade sem peias. Lisboa: Teorema.Barker, C. (2005). Television, Globalization and Cultural Identities. New York: Open University Press.Buonanno, M. (2004) «Além da proximidade cultural: não contra a identidade, mas a favor da alteridade.Para uma nova teoria crítica dos fluxos televisivos internacionais», Lopes, MariaImmacolata (org.) Telenovela. Internacionalização e Interculturalidade, São Paulo: EdiçõesLoyola.Burnay, C. D. (2010). A Açorianidade na ficção da RTP-Açores (1986-2007), Tese de Doutoramento apresentadaà Faculdade de Ciências Humanas da Universidade Católica Portuguesa.Direcção de Novos Projectos e Arquivos da RTP. 2002. Memórias dos Arquivos RTP: 298 Peças de Teatro.2002. Dactyloscopy. Sacavém: RTP.Ferin, I. (2003). A revolução da Gabriela: o ano de 1977 em Portugal. BOCC-Biblioteca On-line emCiências da Comunicação, Universidade da Beira Interior (http://www.bocc.ubi.pt/pag/cunha-isabel-ferin-revolucao-gabriela.pdf).Gama, M. (1959). Cinema e Público em Portugal. Lisboa: Utica.Hall, S. (1973). Encoding and decoding in television discourse. Hall, S. et al. (eds.) (1996). Culture Media,Language: working papers in Cultural Studies, 1972-1979. London: Routledge, 128-138.Hobson, D. (2003). Soap Opera. Oxford: Blackwell.Lopes, M. I. V. (2009). Ficção televisiva no Brasil: temas e perspectivas. São Paulo: Editorial GloboUniversidade.Matos-Cruz, J. (1999). O Cais do Olhar. O cinema português de longa metragem e a ficção muda. Lisboa:Cinemateca Portuguesa / Museu do Cinema.Morley, D. (1986). Family Television: Cultural Power and Domestic Leisure. London: Methuen.Morley, D. (1992). Television Audiences and Cultural Studies. New York: RoutledgeNobre, R. (s.d). Singularidades do Cinema Português. Lisboa: Portugália.Olick, J.K. & Robbins, J. (1998). Social memory studies: from collective memory to the historial sociologyof mnemonic practices, Annual Review of Sociology, 24, 1, 105-136.Pérez Garzón, J.S. (2000). La gestión de la memoria. La Historia de España al servicio del poder. Barcelona:Gedisa.Pina, L. (1978). Panorama do Cinema Português. Lisboa: Terra Livre.Rosenstone, R. A. (2006). History on Film, Film on History. Harlow: Person.Rueda, J. C. (2011). «Esta Tierra es mía. Espacios históricos y geografia de la memoria en la ficcióntelevisiva española» HAOL, núm. 26, pp. 27-39.Narratives and social memory: theoretical and methodological approaches200
The Subject-Matter of Audiovisual Historical Fiction in Portugal (1909-2010)Eduardo Cintra Torres & Catarina Duff BurnaySobral, M. (2006). Memória e Identidade Nacional: considerações de carácter geral e o caso português.Comunicação apresentada ao Colóquio Nação e Estado: entre o local e o global, organizadopelo Núcleo de Estudos em Sociologia da Universidade do Minho (http://www.ics.ul.pt/publicacoes/workingpapers/wp2006/wp2006_4.pdf).Teves, V. H. (1998). História da Televisão em Portugal. Lisboa: TV Guia Editora.Narratives and social memory: theoretical and methodological approaches201
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Cinematic Landscape and Social Memo
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comprises both remembering and forg
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include important questions related
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Part ICognitive and Emotional Proce
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Narratives and Social Memory from t
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The Lay Historian: How Ordinary Peo
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Cabecinhas, R. & Abadia, L. (eds.)
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Emotional Processes in Elaborating
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Transitional Justice Processes, Sha
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The Past and the Present (re)Visite
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Part IIMedia(ted) Narrativesand Pub
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Hard News Cognitive Shift: from Fac
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Narratives of Death: Journalism and
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Researching Identity Narratives in
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Journalistic Narrative: a Story of
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The Works of Sísifo: Memories and
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‘Diaspora Space’ as Heard and O
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‘Diaspora Space’ as Heard and O
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Colonial Missions in the North Amer
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Part VSocietal Issues, Collective A
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Collective Mobilization and the Soc
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Narratives as Prison ‘Escapes’:
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Drawings and Narrative: the Inmates
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Comissões Unitárias de Mulheres d
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