T RAV

Ilc~~nc~eMOUNTAIN. 65in WllÇ}.t maY}lave appeared to devolve oninfiietious. . In.the drawingswhichaccomp~inythist~1~~U'2ftlt.prE~seIlt t~tntastlcal[l)lll~I,)~::iI,--"P.Cie:lte(~t"q,.ç'y•• on the very spot,no inl~tattention was taken to tracevarious modesofstratillled>underthe atmosphericalis moulded intoof. the wash of rains and con­·.on..,uo"" itself i~j.ofinspfficient.scope to exhibitrative llla,gnitude between this and itsen it and thé face of nature in its vicinity;thé woods which clothe it. To give the moun­'derable part of it, these last objects must beer~~hfUbs; the lâtter " too small for sight." It is butthe eye and the imagination to affect to give more by then is in the pencil's power, and this is an ohject infinitely hesugar':~oaves,.and organ-pipes te, IlO very poeticall\èJtl""":Y, itmust he confessed, have been aH applied, in theto express or impress the irlea of the exterior conouecs,Gfcylinders, of this mountain. r:['he organrecenttraveUerreally did expect to find this mountain as libelled, ouilines\vnerein are taken from those on the relief of aOutLady (the Virgin Maty) squatted in the cenllreSo ,people wîll judge by what they see.ca, " A latcl'e Septemtriollis mitior est via (see plate )etuo virens, quœ oéulis blanditel' pel' novas rupium figuras,cuneos fastigantul', ita ut hinc turl'ita castella, illinc ol'ganoinsildellsequo, atque aliœ diversœ figurœ exprimi videantur miroK