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akademiskacademic quarter<strong>kvarter</strong>Flirting with the LawAlla Ivanchikovapossibly work out something we can call queernormative – not inthe sense of normalizing the queer or making concessions to thelaw but in the sense of queering the law itself? When the law becomesqueer, this new face of the law may not be that unattractive.Both The Kids and Lip Service destabilize the opposition betweennormativity and queerness, exploring the “queernormative,” orbetter queerness that is no longer positioned strictly outside of thenormative, not in the same way it used to be. The relationship betweennormative and queer becomes more complicated and presentsnew possibilities for writers who wish to explore the possibilitiesand the limits of queering the law. Lip Service exposed thequeer law-breaker figure as outmoded and presented us with a newiconic image, creating a new alphabet of affects for a new set of socialconditions. This signaled the dissolution of a certain narrativeconvention and our readiness for new stories where we are allowedto flirt with the law and enjoy it too.Notes1 See, for example, Coffman’s analysis of the Papin affair.2 Examples featuring this story line include, among many others: When Night isFalling (1995), High Art (1998), Aimee and Jaguar (1999), Bad Girls Seasons1-3 (1999-2001), A Woman’s Love (2004), The L Word Season 1 (2004), BetweenTwo Women (2004), Elena Undone (2004), I Can’t Think Straight (2007), TheWorld Unseen (2008), The Sea Purple (2009), Eloise (2010).Volume03 174
akademiskacademic quarter<strong>kvarter</strong>Flirting with the LawAlla IvanchikovaReferencesAimee and Jaguar. Dir. by Max Färberböck. Senator Film Produktion.1999. DVD. Optimum Home Releasing. 2001.A Woman’s Love (Amour de Femme). Dir. by Sylvie Verheyde. DVD.Picture This Studio. 2004.Bad Girls, Seasons 1-3. Created by Maureen Chadwick and AnnMcManus. Shed Production. ITV Channel UK, 1999-2001.Badiou, A., 2003. Saint Paul: The Foundation of Universalism. Trans.by Ray Brassier. Stanford: Stanford University Press.Between Two Women. Dir. by Steven Woodcock. North Country PicturesLTD. 2004. DVD. Odyssey. 2006.Braun, H., 2010. Interview. The Joel Kafetz Show. Oct 19. Web. Jul 1,2011.Braun, H., 2010. Interview. “The GreatLezBritain party for the ‘LipService’ Season Finale.” AfterEllen. Nov 22. Web. Jul 1, 2011Braun, H., 2010. Interview. Lip Service Season 1 Extras. Kudos Filmand Television. DVD.Braun, H., 2010 “Q&A with Harriet Braun, creator of Lip Service.”Lip Service - Kudos Film and Television Facebook Page. Nov 15.Web. Jul 1, 2011.Barthes, R., 1974. S/Z: An Essay. Trans. Richard Miller. New York:Hill and Wang.Basic Instinct. Dir. By Paul Verhoeven.1992. DVD. Artisan, 2001.Berlant, L., 2002. “Uncle Sam Needs a Wife: Citizenship and Denegation.”Materializing Democracy: Towards a Revitalized CulturalPolitics. Eds. Russ Castronovo and Dana D. Nelson. Durham:Duke University Press.Bersani, L., 1987. “Is the Rectum a Grave?”October 43, 197-222.Black Swan. Dir. by Darren Aronofsky. Fox Searchlight Pictures. 2010.Butterfly Kiss. Dir. By Michael Winterbottom. First Run Features,1995.Canguilhem, G., 1991. The Normal and the Pathological. Trans. CarolynR. Fawcett & Robert S. Cohen. New York: Zone Books.Cass-Maran, L., 2010. “Heather Peace – the Only Gay in the City.”The Skinny. Nov 16. Web. Jul 1, 2011.The Clash. “I Fought the Law.” Written by Sonny Curtis. The Costof Living. EP. CBC. 1979.Coffman, C. E., 2006. Insane Passions: Lesbianism and Psychosis inLiterature and Film. Middletown: Wesleyan University Press.Volume03 175
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