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akademiskacademic quarter<strong>kvarter</strong>The Rise of the UndergroundMoulay Driss El Maaroufsistance and trance, once mingling, piloted by rhythm anddance, take in for questioning these many incongruousgestures and mindsets.Resistrance, however, is neither exterior nor interior. It is resistancesupervised from above, and regulated from below. That’s to say, it isa constructed resistance, in the sense that the terrains of sublimetransformation in youth settings from meek to wild are part of atheatrical set up that materializes when it materializes through preparation,approved applications and plans, funding, organization inbrief. For Andrew Smith in festive terrains ‘transgression takes placenot in some random anarchic splurge, but within and around particular,recognized and recongnizable forms that constrain but alsoenable’. We end up having an exterior epitome of authority (ministryof culture), notably assisted by different-size wallets (partners orsponsors) constructing a frame for what will grow into a theatre ofresistance, aided by exterior boosters, a mob, drugs, and music. Suchare what Andrew Smith calls ‘the paradoxes of transgression, conceivedas a violation of norms and normative conduct, which inturn constitute (but not “follow”) new norms of human expression—recognizableforms by a community in transgression 8 .Notes1 Shadwell, Thomas. “Preface to The Humorists, A Comedy,” in CriticalEssays of the Seventeenth Century, ed. Spingarn, 2:162.2 As cited in The Doppelganger: Double Visions in German Literature( Webber, 1996, 1).3 These premises are borrowed from his book The Doppelganger:Double Visions in German Literature p 3-4-5 , 1996.4 I have translated the song from Moroccan Arabic into English5 103 is a very tiny motor bike, that looks more like a bike. Motorsriders need to put on a casque (helmet) to avoid police harassment.6 A1 cars are vehicles matriculated in the capital, Rabat. Bigg is tryingto refer to street power relations and the politics of reversedfear, when many times the car has signs that refer to the poweror status of he who owns it, and as such is enough to discouragea police man from stopping it.Volume03 46
akademiskacademic quarter<strong>kvarter</strong>The Rise of the UndergroundMoulay Driss El Maarouf7 Autobus in Moroccan Arabic. Tobis is borrowed from French andappropriated in daily speech.8 I would like to thank Prof. Andrew Smith for his pertinent commentsand deep and insightful contribution to the current discussionon festivals and transgression.Volume03 47
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