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100 THE HERALDRY OF YORK MINSTER.<br />

staunch adherent to him in his family difficulties ;<br />

(4) a saltire, possibly<br />

John, Lord Nevill, son of Ralph, Earl of Westmoreland, by whose treachery<br />

the Archbishop was captured, but as he married Lady Elizabeth Holland,<br />

daughter of Thomas, Earl of Kent, he would be brother-in-law to Sir Henry<br />

Scrope, and thus drawn into the same political intrigue ; (5)<br />

a fesse<br />

dancette, Vavasour repeated, the fesse highly ornamented, doubtless because<br />

he allowed the sto^e necessary for the building to be quarried on his land,<br />

and therefore his shield is thus appropriately placed at the completion<br />

of the Choir.<br />

On the south side we commence with the shield of Archbishop Scrope,<br />

with the augmentation of honour, the bordure of mitres, immediately above<br />

the altar. Next to him his colleague and helpmeet, Bishop Skirlaw, who<br />

had the moral courage to acknowledge that his father was a basket-maker,<br />

and carry three osiers crossed. Then the shields of the three principal<br />

actors in the great drama. Scrope, where the label denotes, I think, not<br />

only Masham, but<br />

primogeniture, and marks, therefore, the Earl of Wilts,<br />

slain at Bristol ; then a shield having quarterly Percy and Lucy, the<br />

arms of the great Earl of Northumberland, father of the gallant Hotspur,<br />

and chief of the rising in the north ;<br />

and then the lion rampant of Mowbray,<br />

who was beheaded at the same time as the Archbishop. The remaining<br />

shields are, I think, official, or royal. First the lioncels and horn, which, as<br />

I have already pointed out (page 36), may be the cognizance of the Lord<br />

Mayor of the time here, or the initial quartering of Plantagenet. Next to<br />

it the shield of the house of Mortimer, for which so much was dared and<br />

suffered, and representing the senior claim of the house of York. Then<br />

the three crowns of Edwin of Northumbria, the arms of the ancient kingdom<br />

in which York is situated, and therefore the token of sovereignty over<br />

it. Next to it the cross and martlets of Edward the Confessor, which had<br />

been specially adopted by Richard II. and impaled with his own arms.<br />

And finally the last shield, bearing a cross, probably or a cross gules. The<br />

arms of De Burgh, quartered by Edward IV. from his grandmother, Anne<br />

Mortimer, whose grandmother, Philippa Plantagenet, wife of Edmund<br />

Mortimer, was the daughter of Elizabeth de Burgh, only daughter and<br />

heiress<br />

of William de Burgh, Earl of Ulster, by Lionel, Duke of Clarence.<br />

Edmund Mortimer quartered these arms on his seal, viz., i and 4,<br />

Mortimer ;<br />

2 and 3, De Burgh.<br />

On the capital of the pillar just outside, at the entrance of the Choir,<br />

and also high up above it on the capital of the pillar supporting the south<br />

tower arch, may be seen the white hart couched, to which I have already<br />

alluded (page 56) as the badge of Richard II., and which was adopted by<br />

Edward IV. Sandford tells us " Generally with a scroll inscribed ' Rege<br />

" '<br />

Richardo,' i.e. ' In honour of Richard II.,' whose device it was, and who

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