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THE FESS.<br />

THE next Heraldic charge which I shall notice, the FESS, so called<br />

from the Latin "fascia," French "face," has been taken of old (according<br />

to Leigh) " for a girdle of honour, occupying the third part of the shield,"<br />

though its width varied very much, and rarely<br />

if ever attained that<br />

proportion. It represented a part of the dress of no little importance.<br />

Even the ordinary girdle, which must, indeed, have been indispensable<br />

in days when garments were of a loose and flowing and sometimes voluminous<br />

character, was of the costliest material, and occasionally ornamented<br />

with jewels. The monumental effigies of our early sovereigns and their<br />

consorts, have representations of girdles of elaborate workmanship, and<br />

probably rich substance. The girdle of King John's effigy at Worcester<br />

Cathedral was gilt,<br />

and in the inventory belonging to him mention is made<br />

of a belt or girdle wrought with gold and adorned with gems. In the<br />

reign of Edward III., girdles ornamented with gold or silver are strictly<br />

prohibited to all persons under the estate of knighthood, or not possessed<br />

of property to the amount of two hundred pounds per annum. Those<br />

who came within the latter class were permitted to wear girdles reasonably<br />

embellished with silver. Similar prohibitions respecting the ornamentation<br />

of girdles with gold, silver, or silk, are to be found in all the sumptuary<br />

laws down to the<br />

sixteenth century.<br />

simply a band to keep the robe or cloak together.<br />

Several of the figures in the<br />

organ screen, which I assume<br />

represent the costumes of the date<br />

of Henry IV.-VI., have girdles<br />

which are evidently intended to<br />

represent good material and workmanship.<br />

That of Henry<br />

I. has a<br />

broad band, richly ornamented,<br />

which may have been a belt, or

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