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INSTITUTIONALIZED CHILD CARE IN URBAN SOUTH AFRICA

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Christianity served as a driving factor behind imperialism and global expansion, mission<br />

work focused on these “undeserving poor” populations of colonized territories began to<br />

proliferate as well.<br />

Present Day Associations<br />

To this day, faith-based organizations maintain the majority of OVC institutions<br />

across the developing world. Writes Jacobi (2009)–<br />

“[Religious presentations] shaped ideas about orphans throughout the nineteenth<br />

and twentieth centuries and has obscured our view of actual orphans and<br />

orphanages. In early modern times, orphanages successfully reared generations of<br />

children to be future citizens and useful members of their communities.”<br />

Outside of an exclusively religious sphere, the sympathy-inducing perception of<br />

orphans has been perpetuated through popular culture. Popular literary works, perhaps<br />

most notably Charles Dickens’ Oliver Twist, began to routinely cast orphans in a central,<br />

protagonist role. Authors including Eliza Haywood and Tobias Smollett used the<br />

orphan’s uncertain status to generate obstacles related to property and identity in order to<br />

drive their stories’ plots. (Nixon, 2011) The orphans found in British novels is subject to<br />

harsh treatment by their institutions, which were set in impoverished, urban locations.<br />

Since the publication of these novels, the role of the orphan protagonist has<br />

further developed as a common narrative device. The orphan hero began to appear across<br />

a variety of mediums. Shortly after the Great Depression, the title character of the comic<br />

14

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