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Branded from <strong>the</strong> Start<br />

141<br />

in <strong>the</strong> disposal <strong>of</strong> draperies, <strong>the</strong> study <strong>of</strong> attitudes, <strong>the</strong> shifting <strong>of</strong> lights<br />

and shadows. . . . But keenest <strong>of</strong> all was <strong>the</strong> exhilaration <strong>of</strong> displaying her<br />

own beauty under a new aspect; <strong>of</strong> showing that her loveliness was no<br />

mere fixed quality, but an element shaping all emotions to fresh forms <strong>of</strong><br />

grace.” 13 The term “grace” is important since it hints at <strong>the</strong> moral element<br />

<strong>of</strong> manners that is still so important in Austen. And, indeed, Lily’s<br />

superiority to o<strong>the</strong>r characters lies partially in her moral grace.<br />

In Lily we—<strong>the</strong> readers but not <strong>the</strong> audience in <strong>the</strong> novel—see<br />

a residue <strong>of</strong> <strong>the</strong> world Austen depicts. Right before Lily exhibits herself<br />

as a tableau vivant, Gerty Farish explains both to us, <strong>the</strong> readers, and<br />

to Selden (<strong>the</strong> closest Lily comes to having an equal in <strong>the</strong> novel and<br />

<strong>the</strong> man Lily loves) that Lily had given three hundred dollars to a<br />

working girls’ club and collected fifteen hundred from <strong>the</strong> Bryses and<br />

Rosedale for that purpose as well. Through Gerty we learn that Lily<br />

truly has inner and outer beauty; she is a perfectly mannered, graceful<br />

person: “She really can’t bear to hurt people’s feelings—it makes me so<br />

angry when I hear her called cold and conceited! The girls at <strong>the</strong> club<br />

don’t call her that. Do you know she has been <strong>the</strong>re with me twice?<br />

Yes, Lily! And you should have seen <strong>the</strong>ir eyes! One <strong>of</strong> <strong>the</strong>m said it was<br />

as good as a day in <strong>the</strong> country just to look at her. And she sat <strong>the</strong>re<br />

and laughed and talked with <strong>the</strong>m—not a bit as if she were being<br />

charitable, you know, but as if she liked it as much as <strong>the</strong>y did.” 14 Lily<br />

exhibits here <strong>the</strong> kind <strong>of</strong> compassion and care for <strong>the</strong> lower classes that<br />

Austen associates with perfect manners. Much later in <strong>the</strong> novel, when<br />

Lily herself has sunk into poverty and despair, she meets one <strong>of</strong> <strong>the</strong> girls<br />

whose life her charity saved. Nettie tells Lily <strong>of</strong> <strong>the</strong> importance she has<br />

had in her life:<br />

I’d know you anywhere, I’ve thought <strong>of</strong> you such a lot. I guess<br />

my folks all know your name by heart. I was one <strong>of</strong> <strong>the</strong> girls at<br />

Miss Farish’s club; you helped me to get to <strong>the</strong> country that time<br />

I had lung trouble. . . . Sometimes when I felt real mean and got<br />

to wondering why things were so queerly fixed in <strong>the</strong> world, I<br />

used to remember that you were having a lovely time, anyhow,<br />

and that seemed to show <strong>the</strong>re was a kind <strong>of</strong> justice somewhere. . . .<br />

I used to watch for your name in <strong>the</strong> papers, and we’d talk over<br />

what you were doing and read descriptions <strong>of</strong> <strong>the</strong> dresses you<br />

wore. . . . Wouldn’t it be too lovely for anything if [my baby]

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