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(the) American (Novel of)

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Coldness and Civility<br />

Michael and Ryan’s breakup so I won’t add any <strong>of</strong> <strong>the</strong> new details<br />

here—you’re sure to be able to invent better ones on your own in any<br />

case. I don’t know if you’ve talked to Ryan about Corey. Trust me that<br />

<strong>the</strong>re is not one thing I could tell you that you couldn’t anticipate. Very<br />

predictable.) I am demanding, indeed, your help at achieving a very<br />

particular and simple aim. So I think we have plotting to do. Ryan was<br />

quite mean to Michael. Remember he left him right after <strong>the</strong> contract<br />

fell through and didn’t wait even two weeks before moving dishy little<br />

Corey in. I think that we should find someone Corey cannot resist and<br />

send him his way. It is just <strong>the</strong> right shade <strong>of</strong> mean and it will not be<br />

our fault if Corey falls for our lure. So we will be quite blameless, we<br />

can avenge our Michael, and we can exact covert revenge on Ryan. So<br />

are you in? I’ll call you with details. Will you help me?<br />

Did you believe that I was serious, Marianne? Had you chosen<br />

<strong>the</strong> man? If you believed that I wanted to do something like that you<br />

are more lost in a fantasy world than is healthy, darling. I think you are<br />

oversteeped in your novels <strong>of</strong> manners. You must read for more than<br />

plot and you must remember <strong>the</strong> humor with which <strong>the</strong>y were, if not<br />

written, read. (Although I am perhaps not being totally fair. I am<br />

thinking <strong>of</strong> course <strong>of</strong> Jane Austen’s total disdain for Laclos and Richardson<br />

coupled with her inability to not love <strong>the</strong>m and reference <strong>the</strong>m. 9 But<br />

from that position, she recognized that <strong>the</strong>y were indeed novels, dear,<br />

pieces <strong>of</strong> fiction about <strong>the</strong> end <strong>of</strong> civilization as some particular groups<br />

knew it. I mean look, <strong>the</strong>re she is bridging <strong>the</strong> vulgarity <strong>of</strong> <strong>the</strong> eighteenth<br />

century and <strong>the</strong> fussiness <strong>of</strong> <strong>the</strong> nineteenth reading <strong>the</strong>se mannered<br />

novels descriptive <strong>of</strong> o<strong>the</strong>r cusps. You cite <strong>the</strong> Idiot at me and<br />

that too, it strikes me, is a novel <strong>of</strong> manners, although I realize I am in<br />

<strong>the</strong> minority position writing that down, committing it to print. It<br />

seems to me that you assimilate <strong>the</strong> characters into your consciousness<br />

as some sort <strong>of</strong> exemplars <strong>of</strong> model behavior, but darling, surely you<br />

notice <strong>the</strong> moral bankruptcy <strong>of</strong> <strong>the</strong>se men and women.)<br />

Second paren<strong>the</strong>tical. It is interesting to me that <strong>the</strong> novels you<br />

choose to reference are so sanctioned. You never refer to anything that<br />

is not a classic. For <strong>the</strong> points you made throughout your last much too<br />

long last letter—Marianne, sweetness and light, you must write shorter<br />

letters to me, I am a very busy woman—Genet’s Funeral Rites would<br />

have been much more appropriate. I know that before I begin you will<br />

be thinking that <strong>the</strong>re is no certain love <strong>the</strong>re. Jean is dead. How can<br />

85

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