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Old Master Paintings Part 1

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GIOVANNI ANTONIO GUARDI (1699 – 1760)

AND FRANCESCO GUARDI (1712 – 1793)

ALL’ ABBEVERATORIO – AT THE DRINKING TROUGH

Oil on canvas.

84.5 x 115 cm.

Verso on the stretcher: two labels from the Metro politan

Museum Manila, Roxas Boulevard, Philippines,

with title and dimensions. Furthermore, on the relining,

transferred from the original canvas: rectangular

inventory label printed with a blue decorative border

and with the handwritten inscription: “Guardi fontana

/ No M 2500”.

Without going into further details, the present depiction

displays a high-ranking composition and painting

style. In previous literature, the painting was classed

as a work by Francesco and as a collaboration between

the two painters Francesco and Giovanni­ Antonio.

First published in 1973 by Antonio Morassi, as part of a

Milan collection (Luigi Calli a Carate Brianza), dating it

to the creative period of 1730-35; later, in 1988, Dario

Succi attributed the painting solely to Francesco Guardi

in his publication. Subsequently, the painting was

published as a collaboration between the two Guardi.

It originates from the collection of Imelda Marcos (b.

1929), widow of the 10th President of the Philippines,

Ferdinand Marcos. It is comparable to a canvas painting

laid on panel from a Milan collection, with the title

Il grande abbeveratorio by A. Morassi (93 x 133 cm.),

of which another, final version (80.6 x 114.9 cm.) was

auctioned at Christie’s, New York on 14 October 2021,

with the catalogue note “an example of the production

of the Guardi brother’s early studio practice“. Consequently,

the work presented in this lot originates from

the Imelda Marcos collection and was listed under

number 66 in the collection register and published in

the Philippine Daily Inquirer magazine in 2014. There,

it is also mentioned as a collaboration between the

two painters. In 1991, further works from the Marcos

collection were sold at auction at Christie’s. The label

on the back suggests that the painting was exhibited

in the Metropolitan Museum of Manila (Philippines),

probably on loan from the President’s widow.

Provenance:

Imelda Marcos collection, widow of the former

president of the Philippines.

Metropolitan Museum of Manila.

Literature:

Discussed several times and illustrated in:

Antonio Morassi, Guardi, Venice 1973, vol. I, p. 103

and p. 133, no. 139; vol. II, ill. 157, 158, and p. 334,

no. 140.

Dario Succi, Capricci veneziani del Settecento, Torino

1988, p. 319, ill. 17.

Philippine Daily Inquirer, 2014: (https://newsinfo.

inquirer.net/644229/imeldific-collection-of-artworkspartial-list).

Filippo Pedrocco, F. Montecuccoli degli Erre, Antonio

Guardi, Milan 1992, p. 125, no. 24, p. 167 ill. 24.

Dario Succi, Francesco Guardi. Itinerario dell’avventura

artistica, Milan 1993, p. 222, ill. 248.

€ 170.000 - € 200.000

Sistrix

INFO | BID

188 HAMPEL ONLINE Visit www.hampel-auctions.com for around 7.000 additional images.

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