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Zenithal Illumination – from Alvar Aalto to Álvaro Siza’s work Faculty of Architecture, University of Porto, Portugal, Mafalda Rangel Campos This investigation tries to make an approach to the theme of Light Presence in Aalto’s and Siza’s architecture. It faces daylight as one of the major aspects, which influences their project’s process, in which light is a geographic variant. Which architectonic forms they have chosen to interpose between Man and Sun, so that a certain space becomes a library or a museum? A previous analysis of their most important creation makes it possible to understand how often the use of zenithal illumination is associated to public buildings. As a consequence, this study explores its presence in libraries, museums and exhibition spots. The structure of this investigation reflects its methodological process. It starts from the conceptual analysis of light in architecture as a way to clarify fundamental aspects of the theme, progressing towards the practical analysis of several public buildings. Chapters I and II explain the conceptual and historical study of the zenithal illumination, tracing a constructive evolution. Chapter III makes an approach to the trajectory of both architects and the cultures they are bound to, also including evolution of their work and individual exploitation of permanent concepts in their legacy. Chapter IV explores an analysis of selected works, establishing direct and indirect relations between them, in order to systemize space characters created by the zenithal illumination. Chapter IV shows that both architects have invented, re-created and re-used different daylight control systems, mostly using indirect and diffused lighting for libraries and museums. It was possible to systematize and group buildings according to the use of the same shape and therefore understand the chronological process the architects have gone through. It possible to conclude that the shapes chosen by Aalto and Siza to interpose between Man and Sun are not only directly connected to the existing daylight conditions. In their libraries and museums it is visible, that the process of shaping a roof is always a compromise between the light conditions of the place and the individual formal research that each architect has been developed. Fig. 1 Viipuri Library- Reading room - Alvar Aalto Fig. 2 IT Faculty Library- Main reading Room-Santiago de Compostela - Álvaro Siza 75
PARALLEL ORAL SESSIONS III – POS.III.3 THURSDAY, FEB. 21 II.3 - ARCHITECTURAL PERSPECTIVES Georgina Correia da Silva & Filipe Abrantes 195 Architectural Languages for the 21st Century N. Vieira da Costa, J. Quintão Exhibiting Architecture in Portuguese. Curatorial activity in Portugal pre- Trienal de Arquitectura de 189 Lisboa Mariana Pestana 213 The "Eclipse" of architecture D. Neves dos Santos, Prof. Manuel Mendes 124 Promenade to Corbusier L. Ribeiro da Silva, M. Mendes 206 Architecture: Studies and possibilities of transversalities. Space of Encounter – Herzog & de Meuron, Diller + Scofidio, Dan Graham, Lacaton & Vassal, Sancho y Madridejos, Vito Acconci [1] Ana Pedrosa 219 Contact Points_Between Swiss and Portuguese Architecture Bruno M.V. Cardoso
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