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92 | robert hass<br />

pre–World War II movie about bush pilots, perhaps with John Wayne. How<br />

are we gonna get that baby across the Strait of Malacca in this weather?<br />

With duct tape and baling wire, if we have to, the big, lumbering pilot<br />

would say.<br />

Amy Thomas said she would call the president of the American Booksellers<br />

Association to see what he could do. At the next meeting a week<br />

later, she reported that he had agreed to arrange to have a poster sent to<br />

every independent bookstore in the country. (In the fall of 1995, that still<br />

included most American bookstores plus the several Borders stores that still<br />

counted themselves as independents.) He had suggested calling the president<br />

of Bantam Books to see if Bantam might, as a public relations gesture,<br />

pay for the printing and the mailings—to bookstores and to libraries and to<br />

museums of natural history, especially junior museums, and the education<br />

programs of state parks. And so Amy had called Bantam Books, and they<br />

had agreed. This was all astonishing to me. It was as if I were looking at<br />

some classical sculpture, an Aphrodite or the Winged Victory, and thought<br />

to myself that it would look a little better if the arm were raised a little, and,<br />

as I had the thought, the arm moved. Meanwhile, Pamela Michael had been<br />

told that International Rivers would give her time to organize the contest<br />

and that they would serve as cosponsors with the poet laureate’s office and<br />

undertake the cost of it. And, she said, wouldn’t it be good to have at least<br />

four age categories and give prizes for art and poetry in each category. And,<br />

if we could, bring the winners to Washington, with their parents and teachers,<br />

for the Watershed days, to have the children read their poetry and display<br />

their art at the library?<br />

it was as if i were looking at some classical sculpture,<br />

an aphrodite or the winged victory, and thought to<br />

myself that it would look a little better if the arm were<br />

raised a little, and, as i had the thought, the arm moved.<br />

So that was how ROW took its shape—as a literature and art contest<br />

designed to take the Watershed literary gathering into classrooms. The more<br />

Pamela and I and Owen Lammers talked about it, the more birds it seemed<br />

to be saving with one stone. In 1995, there was some science being taught

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