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if they didn’t generally—They have two, um, incomes that come in. They want to send their kids to college. They wanna live a nice quiet life. They wanna shop for their groceries and cook their meals and go to their Sunday picnics! They just want to have decent homes and decent lives! The people who came to riot here were brought here by this famous Reverend Al Sharpton, which I’d like to know who ordained him? He brought in a bunch of kids who didn’t have jobs in the summertime. I wish you could see the New York Times, unfortunately it was on page twenty, I mean, they interviewed one of the Black girls on Utica Avenue. She said, “The guys will make you pregnant at night and in the morning not know who you are.” (Almost whispering.) And if you’re sitting on a front stoop and it’s very, very hot and you have no money and you have nothing to do with your time and someone says, “Come on, you wanna riot?” You know how kids are. The fault lies with the police department. The police department did nothing to stop them. I was sitting here in the front of the house when bottles were being thrown The Word Becomes You | 43
44 | anna deavere smith and the sergeant tells five hundred policemen with clubs and helmets and guns to duck. And I said to him, “You’re telling them to duck? What should I do? I don’t have a club or a gun.” Had they put it— stopped it on the first night this kid who came from Australia . . . (She sucks her teeth.) You know, his parents were Holocaust survivors, he didn’t have to die. He worked, did a lot of research in Holocaust studies. He didn’t have to die. What happened on Utica Avenue was an accident. JEWISH PEOPLE DO NOT DRIVE VANS INTO SEVEN-YEAR-OLD BOYS. YOU WANT TO KNOW SOMETHING? BLACK PEOPLE DO NOT DRIVE VANS INTO SEVEN-YEAR-OLD BOYS. HISPANIC PEOPLE DON’T DRIVE VANS INTO SEVEN- YEAR-OLD BOYS. IT’S JUST NOT DONE. PEOPLE LIKE JEFFREY DAHMER MAYBE THEY DO IT. BUT AVERAGE CITIZENS DO NOT GO OUT AND TRY TO KILL (Sounds like a laugh but it’s just a sound.) SEVEN-YEAR-OLD BOYS. It was an accident! But it was allowed to fester and to steam and all that. When you come here do you see anything that’s going on, riots? No. But Al Sharpton and the likes of him like Dowerty,
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Blueprints
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prints Bringing poetry into Communi
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Contents vii aCKnowledgments ix int
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aCKnowledgments The Harriet Monroe
Page 11 and 12: x | Katharine Coles Which, as many
Page 13 and 14: xii | Katharine Coles need to.” (
Page 15 and 16: xiv | Katharine Coles For my parent
Page 17 and 18: xvi | Katharine Coles ally resonant
Page 20: section•one alive in the wor(l)d
Page 23 and 24: 4 | Bas Kwakman The poem went as fo
Page 25 and 26: 6 | Bas Kwakman the festival search
Page 27 and 28: 8 | Bas Kwakman its completeness; t
Page 29 and 30: 10 | Bas Kwakman A good poem by a p
Page 31 and 32: 12 | Bas Kwakman Alongside Poetry I
Page 33 and 34: the seCond throat Poetry Slam patri
Page 35 and 36: 16 | patricia smith a bottle of bar
Page 37 and 38: 18 | patricia smith and died for th
Page 39 and 40: 20 | patricia smith from the sideli
Page 41 and 42: 22 | patricia smith classroom heard
Page 43 and 44: 24 | patricia smith And she was Gwe
Page 45 and 46: 26 | patricia smith In a voice that
Page 47 and 48: 28 | sherwin Bitsui attended the In
Page 49 and 50: 30 | sherwin Bitsui Of course, the
Page 51 and 52: 32 | sherwin Bitsui curriculum of a
Page 53 and 54: 34 | sherwin Bitsui for themselves
Page 55 and 56: the word BeComes you anna deavere s
Page 57 and 58: 38 | anna deavere smith And so, the
Page 59 and 60: 40 | anna deavere smith everyone wh
Page 61: 42 | anna deavere smith (Resonding
Page 65 and 66: 46 | anna deavere smith After all I
Page 67 and 68: 48 | anna deavere smith the ground
Page 69 and 70: 50 | anna deavere smith They were h
Page 71 and 72: 52 | anna deavere smith without the
Page 73 and 74: 54 | anna deavere smith I have live
Page 76 and 77: tia ChuCha Comes home Poetry, Commu
Page 78 and 79: Tia Chucha Comes Home | 59 It start
Page 80 and 81: Tia Chucha Comes Home | 61 At the t
Page 82 and 83: Tia Chucha Comes Home | 63 size of
Page 84 and 85: Tia Chucha Comes Home | 65 but mone
Page 86 and 87: Tia Chucha Comes Home | 67 Springst
Page 88 and 89: Tia Chucha Comes Home | 69 The wors
Page 90 and 91: We Were Here, and We Are Here | 71
Page 96 and 97: aBout river oF words robert hass In
Page 98 and 99: scaled brevity, their clipped-swish
Page 100 and 101: About River of Words | 81 published
Page 102 and 103: About River of Words | 83 century A
Page 104 and 105: About River of Words | 85 forty yea
Page 106 and 107: About River of Words | 87 Poets lau
Page 108 and 109: About River of Words | 89 (think th
Page 110 and 111: About River of Words | 91 So, by th
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About River of Words | 93 in Americ
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About River of Words | 95 writers o
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About River of Words | 97 handbook
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About River of Words | 99 culture e
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My Precious Water, I Kiss You, by P
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About River of Words | 103 ticide m
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About River of Words | 105 every ye
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About River of Words | 107 The firs
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About River of Words | 109 learning
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About River of Words | 111 fantasy,
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About River of Words | 113 and Pame
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The Poem Is a Bridge | 115 and serv
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The Poem Is a Bridge | 117 Our firs
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The Poem Is a Bridge | 119 I believ
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The Poem Is a Bridge | 121 doing so
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The Poem Is a Bridge | 123 STAC: sc
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The Poem Is a Bridge | 125 I just r
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the three goat story Notes on Poetr
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The Three Goat Story | 131 into a m
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The Three Goat Story | 133 self-int
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The Three Goats The Three Goat Stor
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The Three Goat Story | 137 three or
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The Three Goat Story | 139 on a tou
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I. one heart at a time The Creation
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One Heart at a Time | 143 ing grown
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One Heart at a Time | 145 now often
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One Heart at a Time | 147 national
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One Heart at a Time | 149 judgment
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One Heart at a Time | 151 tions fac
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One Heart at a Time | 153 Author an
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One Heart at a Time | 155 and popul
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People, Habitat, Poetry | 157 in th
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People, Habitat, Poetry | 159 how i
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People, Habitat, Poetry | 161 In Tu
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People, Habitat, Poetry | 163 music
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People, Habitat, Poetry | 165 fundi
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People, Habitat, Poetry | 167 $6.8
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People, Habitat, Poetry | 169 atten
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A Place for Poetry | 171 And you ne
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A Place for Poetry | 173 This littl
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A Place for Poetry | 175 The new sp
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A Place for Poetry | 177 • identi
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A Place for Poetry | 179 • hosted
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A Place for Poetry | 181 senior cit
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A Place for Poetry | 183 For me, on
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A Place for Poetry | 185 • coordi
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BUILDING FROM A MODEL * * * A Place
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A Place for Poetry | 189 tive poetr
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A Place for Poetry | 191 and Willia
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Part 1 an idea, a penCil, and paper
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Tools for Practical Dreaming | 197
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Part 2 hammer, saw, and nails Tools
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Tools for Framing | 217 relishes do
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Tools for Framing | 219 as a 501(c)
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Tools for Framing | 221 tion), and/
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Tools for Framing | 223 Every time
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Tools for Framing | 225 Access Stat
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Tools for Framing | 227 your number
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Tools for Framing | 229 porting you
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Tools for Framing | 231 2. Find out
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NOTE Tools for Framing | 233 1. Som
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MAKE GOOD FIRST IMPRESSIONS Finishi
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Finishing Tools for the Event Itsel
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Checklist: arrange media and public
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When Something Goes Wrong—And It
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Part 5 nuts, Bolts, and widgets Too
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Tools for Tinkering | 287 La Piana,
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Idealware. http://www.idealware.org
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Tools for Tinkering | 291 Community
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Tools for Tinkering | 293 Poets Hou
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296 | Contributors lic dialogue on
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298 | Contributors Patricia Smith i
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