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A Place for Poetry | 183<br />

For me, one of the beauties of nonprofit community<br />

building is going back to articulated purpose and creating<br />

new relevancies as the world changes.<br />

Another strand in the development of the PITB model is its continued<br />

reinvention to meet new funding opportunities and new opportunities for<br />

service. For me, one of the beauties of nonprofit community building is<br />

going back to articulated purpose and creating new relevancies as the world<br />

changes. The simultaneous trick almost always requires building engagement<br />

and the financial participation of many individuals to support the<br />

work. The goal is to have a mission, services, and the ability to support them<br />

all aligned.<br />

ExTRAPOLATING FROM THE PITB MODEL<br />

If you want to pilot writing workshops for seniors or if you are an administrator<br />

at a natural history museum—and if you are reading this—you<br />

already have an intuition that poetry can help your constituency enter<br />

into a different kind of conversation. Poets House has enacted this kind<br />

of connectivity in many ways. Baseball poetry contests and readings at<br />

minor-league stadiums. Special children’s programs on ecopoetics in park<br />

settings. Poetry in zoos. The list could go on and on. It is yours to add to<br />

and activate.<br />

Happily, sharing great poems does not have the attendant expense of<br />

mounting a production of Madame Butterfly. But it is also true that whatever<br />

we cook up will have some cost. Honesty about the costs will help everyone<br />

have a better experience. Volunteering to create a poetry corner at your<br />

company would not be expensive. But supporting it by developing an<br />

annual in-service for poets to work with the entire staff would probably<br />

require discretionary funding. (Poets should be paid for their work!)<br />

At the heart of the PITB concept is willingness to experiment with<br />

interlocking program elements to create a more nuanced exposure to<br />

poetry. If you are just getting started, outline your overall program goals.<br />

Who are the partners? What kinds of programs would you like to see and in<br />

what sequence? How can you reinforce them with a more visible daily

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