blueprints

More documents

Recommendations

Info

Part 5 nuts, Bolts, and widgets Tools for Tinkering 1 ADDITIONAL READING: BOOKS AND jOURNALS Borrup, Tom. The Creative Community Builder’s Handbook: How to Transform Communities Using Local Assets, Arts, and Culture. St. Paul, MN: Fieldstone Alliance, 2006. Bray, Ilona. Effective Fundraising for Nonprofits: Real-World Strategies That Work. 3rd ed. Berkeley, CA: Nolo, 2010. Burnett, Ken. The Zen of Fundraising: 89 Timeless Ideas to Strengthen and Develop Your Donor Relationships. San Francisco: Jossey-Bass, 2006. Connolly, Paul, and Marcelle Hinand Cady. Increasing Cultural Participation: An Audience Development Planning Handbook for Presenters, Producers and Their Collaborators. New York, NY: The Wallace Foundation, 2001. http://www.wallacefoundation.org/KnowledgeCenter/Knowledge 285
286 | toolkit: nuts, Bolts, and widgets Topics/CurrentAreasofFocus/ArtsParticipation/Pages/IncreasingCulturalParticipation.aspx. (Home page: http://www.wallacefoundation. org/Pages/default.aspx.) Cryer, Shelly. The Nonprofit Career Guide: How to Land a Job That Makes a Difference. Saint Paul, MN: Fieldstone Alliance, 2008. Dropkin, Murray, Jim Halpin, and Bill La Touche. The Budget-Building Book for Nonprofits: A Step-by-Step Guide for Managers and Boards. 2nd ed. San Francisco: Jossey-Bass, 2007. Drucker, Peter F. Managing the Nonprofit Organization: Principles and Practices. New York: HarperCollins, 1990. Elizabeth, Lynne, and Suzanne Young, eds. Works of Heart: Building Village Through the Arts, Oakland, CA: New Village Press, 2005. Ewell, Maryo Gard, and Michael F. Warlum, The Arts in the Small Community. Robert E. Gard Wisconsin Idea Foundation and the University of Wisconsin-Madison, 2006. http://www.gardfoundation.org/ index.html Frazier, Chapman Hood. “Building Community through Poetry: A Role for Imagination in the Classroom.” English Journal 92, no. 5 (May 2003): 65–70. Gard, Robert. Prairie Visions: A Personal Search for the Springs of Regional Arts and Folklife. Minocqua, WI: Heartland Press, 1987. Graves, James Bau. Cultural Democracy: The Arts, Community, and the Public Purpose. Champaign: University of Illinois Press, 2005. International Journal of Arts Management (IJAM). http://www.gestiondesarts. com/index.php?id=720. Karsh, Ellen, and Arlen Sue Fox. The Only Grant Writing Book You’ll Ever Need: Top Grant Writers and Grant Givers Share Their Secrets, 3rd ed. New York: Basic Books, 2009. Klein, Kim. Fundraising for Social Change, 5th ed. San Francisco: Jossey-Bass, 2007. Korza, Pam, Maren Brown, and Craig Dreeszen, eds. Fundamentals of Arts Management, 5th ed. Amherst, MA: Arts Extension Service, University of Massachusetts, 2007. Lansana, Quraysh Ali, and Toni Asante Lightfoot, eds. Dream of a Word: The Tia Chucha Press Poetry Anthology. Foreword by Luis J. Rodriguez. Chicago: Tia Chucha Press, 2005.
Page 2 and 3:
Blueprints
Page 4 and 5:
prints Bringing poetry into Communi
Page 6 and 7:
Contents vii aCKnowledgments ix int
Page 8:
aCKnowledgments The Harriet Monroe
Page 11 and 12:
x | Katharine Coles Which, as many
Page 13 and 14:
xii | Katharine Coles need to.” (
Page 15 and 16:
xiv | Katharine Coles For my parent
Page 17 and 18:
xvi | Katharine Coles ally resonant
Page 20:
section•one alive in the wor(l)d
Page 23 and 24:
4 | Bas Kwakman The poem went as fo
Page 25 and 26:
6 | Bas Kwakman the festival search
Page 27 and 28:
8 | Bas Kwakman its completeness; t
Page 29 and 30:
10 | Bas Kwakman A good poem by a p
Page 31 and 32:
12 | Bas Kwakman Alongside Poetry I
Page 33 and 34:
the seCond throat Poetry Slam patri
Page 35 and 36:
16 | patricia smith a bottle of bar
Page 37 and 38:
18 | patricia smith and died for th
Page 39 and 40:
20 | patricia smith from the sideli
Page 41 and 42:
22 | patricia smith classroom heard
Page 43 and 44:
24 | patricia smith And she was Gwe
Page 45 and 46:
26 | patricia smith In a voice that
Page 47 and 48:
28 | sherwin Bitsui attended the In
Page 49 and 50:
30 | sherwin Bitsui Of course, the
Page 51 and 52:
32 | sherwin Bitsui curriculum of a
Page 53 and 54:
34 | sherwin Bitsui for themselves
Page 55 and 56:
the word BeComes you anna deavere s
Page 57 and 58:
38 | anna deavere smith And so, the
Page 59 and 60:
40 | anna deavere smith everyone wh
Page 61 and 62:
42 | anna deavere smith (Resonding
Page 63 and 64:
44 | anna deavere smith and the ser
Page 65 and 66:
46 | anna deavere smith After all I
Page 67 and 68:
48 | anna deavere smith the ground
Page 69 and 70:
50 | anna deavere smith They were h
Page 71 and 72:
52 | anna deavere smith without the
Page 73 and 74:
54 | anna deavere smith I have live
Page 76 and 77:
tia ChuCha Comes home Poetry, Commu
Page 78 and 79:
Tia Chucha Comes Home | 59 It start
Page 80 and 81:
Tia Chucha Comes Home | 61 At the t
Page 82 and 83:
Tia Chucha Comes Home | 63 size of
Page 84 and 85:
Tia Chucha Comes Home | 65 but mone
Page 86 and 87:
Tia Chucha Comes Home | 67 Springst
Page 88 and 89:
Tia Chucha Comes Home | 69 The wors
Page 90 and 91:
We Were Here, and We Are Here | 71
Page 92 and 93:
Page 94 and 95:
Page 96 and 97:
aBout river oF words robert hass In
Page 98 and 99:
scaled brevity, their clipped-swish
Page 100 and 101:
About River of Words | 81 published
Page 102 and 103:
About River of Words | 83 century A
Page 104 and 105:
About River of Words | 85 forty yea
Page 106 and 107:
About River of Words | 87 Poets lau
Page 108 and 109:
About River of Words | 89 (think th
Page 110 and 111:
About River of Words | 91 So, by th
Page 112 and 113:
About River of Words | 93 in Americ
Page 114 and 115:
About River of Words | 95 writers o
Page 116 and 117:
About River of Words | 97 handbook
Page 118 and 119:
About River of Words | 99 culture e
Page 120 and 121:
My Precious Water, I Kiss You, by P
Page 122 and 123:
About River of Words | 103 ticide m
Page 124 and 125:
About River of Words | 105 every ye
Page 126 and 127:
About River of Words | 107 The firs
Page 128 and 129:
About River of Words | 109 learning
Page 130 and 131:
About River of Words | 111 fantasy,
Page 132 and 133:
About River of Words | 113 and Pame
Page 134 and 135:
The Poem Is a Bridge | 115 and serv
Page 136 and 137:
The Poem Is a Bridge | 117 Our firs
Page 138 and 139:
The Poem Is a Bridge | 119 I believ
Page 140 and 141:
The Poem Is a Bridge | 121 doing so
Page 142 and 143:
The Poem Is a Bridge | 123 STAC: sc
Page 144:
The Poem Is a Bridge | 125 I just r
Page 148 and 149:
the three goat story Notes on Poetr
Page 150 and 151:
The Three Goat Story | 131 into a m
Page 152 and 153:
The Three Goat Story | 133 self-int
Page 154 and 155:
The Three Goats The Three Goat Stor
Page 156 and 157:
The Three Goat Story | 137 three or
Page 158 and 159:
The Three Goat Story | 139 on a tou
Page 160 and 161:
I. one heart at a time The Creation
Page 162 and 163:
One Heart at a Time | 143 ing grown
Page 164 and 165:
One Heart at a Time | 145 now often
Page 166 and 167:
One Heart at a Time | 147 national
Page 168 and 169:
One Heart at a Time | 149 judgment
Page 170 and 171:
One Heart at a Time | 151 tions fac
Page 172 and 173:
One Heart at a Time | 153 Author an
Page 174 and 175:
One Heart at a Time | 155 and popul
Page 176 and 177:
People, Habitat, Poetry | 157 in th
Page 178 and 179:
People, Habitat, Poetry | 159 how i
Page 180 and 181:
People, Habitat, Poetry | 161 In Tu
Page 182 and 183:
People, Habitat, Poetry | 163 music
Page 184 and 185:
People, Habitat, Poetry | 165 fundi
Page 186 and 187:
People, Habitat, Poetry | 167 $6.8
Page 188 and 189:
People, Habitat, Poetry | 169 atten
Page 190 and 191:
A Place for Poetry | 171 And you ne
Page 192 and 193:
A Place for Poetry | 173 This littl
Page 194 and 195:
A Place for Poetry | 175 The new sp
Page 196 and 197:
A Place for Poetry | 177 • identi
Page 198 and 199:
A Place for Poetry | 179 • hosted
Page 200 and 201:
A Place for Poetry | 181 senior cit
Page 202 and 203:
A Place for Poetry | 183 For me, on
Page 204 and 205:
A Place for Poetry | 185 • coordi
Page 206 and 207:
BUILDING FROM A MODEL * * * A Place
Page 208 and 209:
A Place for Poetry | 189 tive poetr
Page 210:
A Place for Poetry | 191 and Willia
Page 214 and 215:
Part 1 an idea, a penCil, and paper
Page 216 and 217:
Tools for Practical Dreaming | 197
Page 218 and 219:
Page 220 and 221:
Page 222 and 223:
Page 224 and 225:
Page 226 and 227:
Page 228 and 229:
Page 230 and 231:
Page 232 and 233:
Page 234 and 235:
Part 2 hammer, saw, and nails Tools
Page 236 and 237:
Tools for Framing | 217 relishes do
Page 238 and 239:
Tools for Framing | 219 as a 501(c)
Page 240 and 241:
Tools for Framing | 221 tion), and/
Page 242 and 243:
Tools for Framing | 223 Every time
Page 244 and 245:
Tools for Framing | 225 Access Stat
Page 246 and 247:
Tools for Framing | 227 your number
Page 248 and 249:
Tools for Framing | 229 porting you
Page 250 and 251:
Tools for Framing | 231 2. Find out
Page 252 and 253:
NOTE Tools for Framing | 233 1. Som
Page 254 and 255: MAKE GOOD FIRST IMPRESSIONS Finishi
Page 256 and 257: Finishing Tools for the Event Itsel
Page 286 and 287: Checklist: arrange media and public
Page 294 and 295: When Something Goes Wrong—And It
Page 306 and 307: Tools for Tinkering | 287 La Piana,
Page 308 and 309: Idealware. http://www.idealware.org
Page 310 and 311: Tools for Tinkering | 291 Community
Page 312: Tools for Tinkering | 293 Poets Hou
Page 315 and 316: 296 | Contributors lic dialogue on
Page 317 and 318: 298 | Contributors Patricia Smith i
show all

blueprints

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?