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60 | luis rodriguez<br />

how most gangbangers do it, although it is often a long hard road—two<br />

steps forward, one step back.<br />

After three years, my first family broke up. I felt lost for a time until in<br />

my mid-twenties I made a destiny-altering decision to quit my industrial<br />

work and become a reporter/photographer at a weekly newspaper in East<br />

L.A. I walked into the newspaper’s offices and asked for a writing job. The<br />

editors said sure, but I also had to answer the phones, sweep the floors, and<br />

take out the trash. I accepted, although the pay was several hundred dollars<br />

a week less than in the steel mill.<br />

I also signed up for writing and speech classes at East Los Angeles<br />

Community College. And I later earned a certificate from Summer Program<br />

for Minority Journalists at the University of California, Berkeley,<br />

which opened the door to my first daily newspaper job in San Bernardino,<br />

California.<br />

In 1980, I began poetry workshops in the barrio and in prisons through<br />

the L.A. Latino Writers Association. In 1982, I served as the director of<br />

LALWA and editor of the literary arts magazine ChismeArte (Gossip Art). I<br />

also freelanced for magazines and helped with community radio programming.<br />

And I turned up at local poetry readings on the east side, eventually<br />

ending up in the bigger Westside venues such as Beyond Baroque. In 1985,<br />

when I moved to Chicago to edit and write, I also attended poetry events<br />

in the burgeoning scene there. Later I worked as a typesetter and on weekends<br />

as a writer/reporter at an all-news radio station.<br />

i decided to create my own press,<br />

publish my own book, and suffer the damages later.<br />

All along, I was working on writing poems. By 1989—at age thirtyfive—I<br />

decided to publish my first book of poetry. After sending my manuscript<br />

to various publishers and contests, at a cost of a few hundred dollars,<br />

the rejection notes piled up, my self-esteem fell to pieces, I had no book,<br />

and I almost gave up on poetry altogether. But like many artists, especially<br />

the “crazy” ones, I couldn’t stop. So I decided to create my own press, publish<br />

my own book, and suffer the damages later.<br />

Something my aunt would have done.

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