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should experience your offer as a kind of pressure. Do offer maps, route<br />

advice, or inside knowledge if you have it. If you don’t, someone else will.<br />

Packets<br />

Packets containing detailed information about the event schedule, locations,<br />

and contact information relieve your poets of the need to wonder<br />

and worry about where they have to be next and free them to attend to<br />

what you’ve asked them to do. The contents of the packets will vary<br />

depending on your event; see the checklist for more details. Poets should<br />

receive event packets at first contact (at the airport, hotel, or registration<br />

desk, as the case may be); e-mailing a schedule in advance is also a good<br />

idea. If two or more poets are presenting together and have books, giving<br />

them copies of one another’s books is a very nice courtesy, if you have the<br />

money. Otherwise, copies of individual poems will do. It’s also a nice touch<br />

to include copies of the series or event poster for the poets to take home.<br />

Many of us remember the old days of AWP, when the conference was still<br />

so small that the names of all the presenters could fit on a T-shirt. Each presenter<br />

received a shirt in the registration packets; many of us still treasure<br />

these, as battered as they may be by now. Finally, if poets need to return<br />

receipts for anything, include a stamped envelope addressed to the person<br />

responsible for reimbursement. The commonsense rule for packets and<br />

schedules is to give as much information as you can, in as clear a format as<br />

you can, about what visitors really need on a minute-by-minute basis<br />

(phone numbers, reservation numbers, times, places) together at the top of<br />

the schedule.<br />

Transportation<br />

If you’re transporting a poet to an event, whether from home, a hotel,<br />

or a pre-event reception, arrive a few minutes (perhaps five) before the<br />

scheduled pickup time. In the latter case, let the poet know five or ten minutes<br />

before you need to depart. Because not all poets are precisely punctual,<br />

allow plenty of time to get from the pickup site to the event. When the<br />

poet is ready to go, ask if she has books, reading copies, exercises, speech—<br />

whatever will be needed at the event. Even with clear schedules, people<br />

who are nervous, perhaps far from home, and in a rush can be confused or<br />

forgetful. On the way to the event, go over what the poet can expect. Will<br />

there be a Q&A? Will she be expected to sign books after the event? When<br />

will there be food?

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