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Converging Wor[l]ds | 29<br />

through the land, leaving their traces etched on canyon walls. Elders who<br />

have never learned to read or write carry vast archives within their memories.<br />

Elders who create epic stories during wintertime at the kitchen table<br />

or on drives to the nearby border town Laundromats are poets too, if one<br />

just listens.<br />

in navajo thought, language is sacred.<br />

In Navajo thought, language is sacred. Language, when performed as a<br />

ceremonial function, attempts to create harmony, enact change, and metaphorically<br />

transform time and space for those directly involved in the presence<br />

of a song/poem. Through this activity, the lineage between past, present,<br />

and future is “reconnected”—replanted, watered, grown, and harvested<br />

to counter what is considered inharmonious. Navajo philosophy does not<br />

divorce good language usage such as that found in poetry and/or prayer<br />

from alignment with a deeper cosmological/spiritual knowing. Navajo ceremonies<br />

use language to bind the universe and self and restore hózhó (balance,<br />

peace, harmony) to a person or a family. This spiritual restoration<br />

occurs when a medicine person recites songs/poems drawn from cultural<br />

memory—a language that brings forth healing to the participants in a particular<br />

ceremony. Thus, ours is a culture that still, according to Navajo<br />

author Irvin Morris “holds the creative use of language in high regard.”<br />

I was not privy to what Phil had witnessed “across the river” that may<br />

have sparked his intense passion for wanting to heighten poetic awareness<br />

among “the kids” in those particular communities. I agreed with his sentiment<br />

that there was a need for the youth to seize the path of story and<br />

knowledge and claim it as their own. I had been an example of such a<br />

youth. At the time I stood with Phil looking across the border between<br />

worlds, I was compiling my poetry manuscript, which later developed into<br />

my first book, Shapeshift. I knew from my experience growing up through<br />

the school systems, both on and off the reservation, that many Native kids<br />

inherited, by default, negative perceptions about their abilities to transcend<br />

history’s bonds and continue the journey toward strengthening their communities<br />

from within. Native kids were somehow perceived as being stuck<br />

in two places at once, unwilling or unable to move toward a contemporary<br />

worldview, always in conflict with self and duty to tribe and family.

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